On February 12, 2020, the song "Aavda Mandir Ma Huto Ekli Re" was released by Prabhat Barot, Rekha Rathod. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Pardeshi Piyu". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Aavda Mandir Ma Huto Ekli Re's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Aavda Mandir Ma Huto Ekli Re by Prabhat Barot, Rekha Rathod having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tor Yaad Aathe Sangi | Hiresh Sinha, Karan Khan, Sandhya Varma | F Major | 9 | 7B | 120 BPM | ||
| Chamunda Maa Ni Aarti | Raghuveer Kunchala, Meena Patel | E Minor | 7 | 9A | 95 BPM | ||
| Kaya Nagar Re Bich | Moinuddin Manchala | D♭ Major | 8 | 3B | 92 BPM | ||
| Maiya Aan Pade Tere Dware | Saksham Goyal | F Minor | 10 | 4A | 192 BPM | ||
| Jyot pe Jhum Rahi maa Sheetla Seth Masani | Mukesh Sharma | F Minor | 9 | 4A | 88 BPM | ||
| Preet Na Pokare | Prabhat Barot, Rekha Rathod | C Minor | 4 | 5A | 127 BPM | ||
| Gaura Gauri Paramparik Geet | Uma Sarthi, Indrani Verma | D♭ Major | 7 | 3B | 90 BPM | ||
| Bane Dulha Chabi Dekho Bhagwan Ki Bundeli Vivah Gari | Urmila Pandey | D♭ Major | 7 | 3B | 158 BPM | ||
| Khamoshiyan | Rajni Rajasthani | D♭ Minor | 5 | 12A | 115 BPM | ||
| Chal Chal Re Bhai Mela | Riza Khan, Bali Thakre | F♯ Major | 8 | 2B | 95 BPM | ||
| Tu Jinne Marzi Dukh | Sadhvi Purnima Ji | B♭ Minor | 6 | 3A | 140 BPM | ||
| Tere Poojan Ko Hanuman | Gyanendra Sharma | A♭ Major | 7 | 4B | 149 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Chahe Jaise Mujhe Rakh Lo | Reshmi Sharma | C Minor | 3 | 5A | 80 BPM | ||
| Ab Utho Bhavani Maihar Wali | Yuvraj Pandey | F Minor | 8 | 4A | 172 BPM | ||
| Girdhar Ki Bansi Pyari Ji | Vandana Bhardwaj | E Major | 9 | 12B | 130 BPM | ||
| Aarti Kije Shree Mahavishnu Deva | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM | ||
| Bigdi Sanwari Parbhu | Reshmi Sharma | F♯ Major | 7 | 2B | 168 BPM | ||
| He Ola Kucth Dhara Na Dham | Prabhat Barot, Lalita Ghodadra | D Major | 9 | 10B | 96 BPM | ||
| Adal Sonaran Badal Sonaran | Prabhat Barot, Bipin Sathiya, Nidhi Dholkiya, Divya Budhadev, Jayshree Bhojviya, Anu Ben Bharvad | D Major | 7 | 10B | 153 BPM | ||
| Saiba Veena Hu To Ekli | Prabhat Barot, Manoj-Vimal, Daksha Prajapati | D Minor | 5 | 7A | 96 BPM | ||
| Rama Rama Sai Rama | Sri Sathya Sai Bhajans | F♯ Major | 6 | 2B | 106 BPM | ||
| Sadho Nindak Mitra Hamara | Devi Chitralekhaji | F Minor | 7 | 4A | 155 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM | ||
| Aahir Ni Chhe Dikri | Prabhat Barot, Pankaj Bhatt, Gordhan Benjo, Farida Meer | E Major | 8 | 12B | 95 BPM |