"The Rescue" by Kurt Kuenne had its release date on December 5, 2016. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. The Rescue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Preston Tylk (Original Motion Picture Score)". In this album, this song's track order is #20. The Rescue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rescue by Kurt Kuenne having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marriage Proposal | Ilan Eshkeri, London Metropolitan Orchestra | E Major | 0 | 12B | 95 BPM | ||
| Once A Year, I Get To See My Friend | Alfonso G. Aguilar | D Minor | 1 | 7A | 116 BPM | ||
| The 'Cowch' | Hans Zimmer | C Major | 1 | 8B | 70 BPM | ||
| Christmas Jumpers | Tom Howe | D Major | 2 | 10B | 135 BPM | ||
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| Nothing To Forgive | The Chamber Orchestra Of London | G Major | 2 | 9B | 141 BPM | ||
| Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | ||
| Cortege | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Being Seen is Everything | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| The Last Post (Evolution) | Alexis Ffrench | B♭ Major | 2 | 6B | 80 BPM | ||
| An Old Friend | Daniel Pemberton | C Minor | 1 | 5A | 114 BPM | ||
| The World Turned Upside Down - Pt. 2 | Laurent Eyquem | B♭ Major | 0 | 6B | 71 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Are You Hearing This / Charlie's Sweet Inner Nature | Rolfe Kent | C Major | 0 | 8B | 79 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| Monet Opening (From "Claude Monet: The Immersive Experience") - From "Claude Monet: The Immersive Experience" | Michelino Bisceglia | B♭ Minor | 1 | 3A | 138 BPM | ||
| Secret Toast And Jam | Patrick Doyle | C Major | 0 | 8B | 85 BPM | ||
| Christmas with Zachary | Kurt Kuenne | C Major | 1 | 8B | 82 BPM | ||
| Où est Francine | Gabriel Yared | D Major | 0 | 10B | 104 BPM | ||
| Waltz for Ella | Ulf Janson | F♯ Major | 1 | 2B | 82 BPM | ||
| Peace in the Chaos - Aren't we all the same | Pekka Westerholm | F Major | 1 | 7B | 78 BPM | ||
| Materna Requiem: 6. Paradisum Interlude | Rebecca Dale, Royal Liverpool Philharmonic Orchestra, Clark Rundell | D♭ Major | 0 | 3B | 137 BPM | ||
| Wish I Could Spend The Day With You | Mychael Danna, Jeff Danna | E Major | 0 | 12B | 75 BPM | ||
| Pictures | Kurt Kuenne | C Major | 0 | 8B | 85 BPM | ||
| Preparation | The Chamber Orchestra Of London | A Minor | 3 | 8A | 80 BPM |