"交響曲第2番より 第5楽章" by チャールズ・アイヴズ, 尚美ウィンド・フィルハーモニー had its release date on May 9, 2015. This song appears to be safe for all ages as it is not explicit. There is only one song in 日本の音楽大学撰 第2集 尚美学園大学が奏でるコンクール自由曲集『泣く女/田村文生』, so we believe that "交響曲第2番より 第5楽章" is a single. Based on our statistics, 交響曲第2番より 第5楽章's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 交響曲第2番より 第5楽章 by チャールズ・アイヴズ, 尚美ウィンド・フィルハーモニー is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dance of the Caribou | Chloe Flower, Katie Jenkins, Jessica Cottis, Academy of St. Martin in the Fields | D♭ Major | 5 | 3B | 138 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
| Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
| Gone With The Wind: Tara | Royal Philharmonic Orchestra | F Major | 1 | 7B | 107 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | G Major | 0 | 9B | 58 BPM | ||
| Candide: Overture | Leonard Bernstein, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 3 | 5B | 141 BPM | ||
| Wood Notes: I. Singing River: Moderately slow | William Grant Still, Fort Smith Symphony, John Jeter | F Minor | 0 | 4A | 112 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Giselle, Act 2: No. 22 Finale | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| Jūra, MKČ 102: II. Exposition, Secondary Theme | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Parsifal, WWV 111, Act III Suite (Ed. Abbado): Verwandlungsmusik "Transformation Music" | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 138 BPM | ||
| Slow Air | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 58 BPM | ||
| Peer Gynt, Op. 23, Act III: Prelude (Forspill til Ases dod) [Prelude to the Death of Ase] | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | B Minor | 0 | 10A | 85 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | G Major | 0 | 9B | 58 BPM | ||
| Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
| Piano Concerto No. 3 in E-Flat Major, Op. 29: II. Andante | Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit | A♭ Major | 5 | 4B | 78 BPM | ||
| Once upon a time in America (Deborah's Theme) | Ennio Morricone | E Major | 0 | 12B | 78 BPM | ||
| Rodeo: No. 2, Corral Nocturne | Aaron Copland, Colorado Symphony, Andrew Litton | C Major | 0 | 8B | 129 BPM | ||
| Don't Leave Even Enough for a GoldFish | Chinese Symphonic Century | A Minor | 1 | 8A | 130 BPM | ||
| Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 85 BPM | ||
| The End | Danny Elfman | C Major | 1 | 8B | 82 BPM | ||
| El Sombrero de tres picos, Parte II: Danza de los vecinos. Seguidillas | Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado | D Major | 2 | 10B | 93 BPM | ||
| Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | B♭ Major | 0 | 6B | 138 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 5, Fughetta. Allegro vivace | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 137 BPM |