Sarah Vaughan, Percy Faith & His Orchestra's 'Spring Will Be a Little Late This Year (with Percy Faith & His Orchestra)' had a release date set for 1949. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Spring Will Be a Little Late This Year (with Percy Faith & His Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sarah Vaughan's "Love Songs" album is number 8 out of 14. On top of that, United States appears to be the country where this track was created. Spring Will Be a Little Late This Year (with Percy Faith & His Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Spring Will Be a Little Late This Year (with Percy Faith & His Orchestra) by Sarah Vaughan, Percy Faith & His Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Will I Marry (Nancy Wilson & the Cannonball Adderley Quintet) | Nancy Wilson | F Major | 1 | 7B | 49 BPM | ||
| How Long Has This Been Going On? | Sarah Vaughan, Oscar Peterson, Joe Pass, Louie Bellson, Ray Brown | B♭ Major | 3 | 6B | 82 BPM | ||
| I'm In The Mood For Love | Julie London | C Major | 1 | 8B | 124 BPM | ||
| Autumn Nocturne | Lou Donaldson | C Major | 1 | 8B | 124 BPM | ||
| Give Me The Simple Life | Lorez Alexandria | C Major | 1 | 8B | 62 BPM | ||
| Angel Eyes | Gene Ammons | C Minor | 1 | 5A | 88 BPM | ||
| 'Round Midnight | Sarah Vaughan | E♭ Minor | 1 | 2A | 95 BPM | ||
| The Shadows of Paris | Elsie Bianchi Trio | F Minor | 1 | 4A | 93 BPM | ||
| (It Will Have to Do) Until the Real Thing Comes Along | Dakota Staton | B♭ Major | 2 | 6B | 135 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| Stardust | Artie Shaw | F Major | 2 | 7B | 85 BPM | ||
| You Don't Know What Love Is | John Coltrane Quartet | F Minor | 2 | 4A | 65 BPM | ||
| Love Me Or Leave Me | Lester Young, Teddy Wilson Quartet | C Minor | 5 | 5A | 105 BPM | ||
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| Hi-Lili, Hi-Lo | Etta Jones | C Major | 1 | 8B | 62 BPM | ||
| Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
| Honeysuckle Rose | Jane Monheit | A♭ Major | 4 | 4B | 172 BPM | ||
| You'd Be So Nice To Come Home To | Coleman Hawkins, Ben Webster | A Minor | 2 | 8A | 80 BPM | ||
| A Foggy Day | Benny Carter | B♭ Major | 2 | 6B | 135 BPM | ||
| The Look of Love (From "Casino Royale") | Morgana King | D Minor | 3 | 7A | 108 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| They Can't Take That Away from Me (2012 - Remaster) | Mel Tormé | F Minor | 3 | 4A | 133 BPM | ||
| Stormy Weather | Billie Holiday | B♭ Major | 1 | 6B | 123 BPM | ||
| The Boy From Ipanema | Nancy Wilson | C Minor | 4 | 5A | 141 BPM | ||
| Bye Bye Blackbird (feat. John Coltrane, Red Garland, Paul Chambers & Philly Joe Jones) | Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones | C Major | 3 | 8B | 123 BPM |