"Dimanche" by Jacques Prévert had its release date on 1954. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 32 in Dit Jacques Prevert by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Dimanche's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Dimanche by Jacques Prévert is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le mur de la prison d'en face | Véronique Rivière, Yves Duteil | B♭ Minor | 1 | 3A | 79 BPM | ||
| Cortege | Jacques Prévert | F Major | 3 | 7B | 119 BPM | ||
| Barcarola - I Racconti di Hoffmann | I Musici Veneziani | D Major | 3 | 10B | 150 BPM | ||
| Il est cinq heures, Paris s'éveille | Jacques Dutronc, Chœur de l'Armée française, Aurore Tillac, Orchestre De La Garde Republicaine | D♭ Minor | 3 | 12A | 138 BPM | ||
| Ícaro | Jair Torres Baizabal | D♭ Minor | 4 | 12A | 140 BPM | ||
| Velvet | Saoco Studio | A Major | 4 | 11B | 179 BPM | ||
| Deux romances, L. 79: No. 2, Les cloches | Dilyana Georgieva, Galina Apostolova | D♭ Minor | 2 | 12A | 87 BPM | ||
| Autumn Leaves | Jacques Prévert, Johnny Mercer, Joseph Kosma, Ahmad Jamal | G Major | 6 | 9B | 106 BPM | ||
| Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
| Le voyage (en duo) | Leny Escudero, Martine Clemenceau | C Minor | 2 | 5A | 84 BPM | ||
| Les Filles De Cadix | IZZY | F♯ Minor | 3 | 11A | 117 BPM | ||
| Concerto pour elle | Saint-Preux | E Minor | 3 | 9A | 81 BPM | ||
| Ma Ya | Miel de Botton | A Major | 4 | 11B | 179 BPM | ||
| On se retrouvera | Nicolas Peyrac | E Minor | 4 | 9A | 153 BPM | ||
| Embrasse-moi | Jacques Prévert | G Major | 3 | 9B | 65 BPM | ||
| Doux dodo | Marie Belanger | B♭ Major | 1 | 6B | 80 BPM | ||
| La Mer du boulevard | Docteur Predrag Mitrovic | D Minor | 4 | 7A | 132 BPM | ||
| Pas vieillir pas mourir | Henri Tachan | B Minor | 3 | 10A | 96 BPM | ||
| Alcina, HWV 34, Act 2 Scene 5: Ah! Mio cor (Arr. for Countertenor & String Quartet by Eric Mouret) | George Frideric Handel, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Misa Tango: IV. Sanctus | MartÍn Palmeri, Astoria, Philippe Gérard | F Major | 1 | 7B | 79 BPM | ||
| Comme Par Miracle | Jacques Prévert | E♭ Major | 2 | 5B | 118 BPM | ||
| Les pêcheurs de perles: Je crois entendre encore (Romance de Nadir) - 1959 Live Version | Georges Bizet, Manuel Rosenthal, Orchestre National de la RTF, Alain Vanzo | A Minor | 1 | 8A | 77 BPM | ||
| L'amour est un bouquet de violettes | Luis Mariano | F Major | 2 | 7B | 127 BPM | ||
| La Chanson De Vieux Amants | Sjors Van Der Panne | B Minor | 2 | 10A | 127 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM |