"Battement Fondu" by Charles Mathews had its release date on March 12, 2012. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 2" album is number 8 out of 33. Based on our statistics, Battement Fondu's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Battement Fondu by Charles Mathews to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Plies Lyrical 3/4 | Debbi Parks | G Major | 0 | 9B | 98 BPM | ||
| Battements frappés (J. Strauss II Op.214) | Youngsin Sarah Choi | F Major | 2 | 7B | 90 BPM | ||
| Rond de jambe 1 3x4 | Jorge L. Martínez | D Major | 1 | 10B | 102 BPM | ||
| Plie 1 (3/4) | Marina Surgan | E♭ Major | 3 | 5B | 129 BPM | ||
| Warm up Pointe 1. Metre 4/4. | Vadim Proshich, MetodoVadim | F Major | 2 | 7B | 90 BPM | ||
| Waltz in E-Flat Major, Op. 18, "Grand Valse Brilliante" (Battement Glissé) | Frédéric Chopin, Charles Mathews | E♭ Major | 3 | 5B | 100 BPM | ||
| Perito Per Aria | Mariana Ghiaccio | F Major | 1 | 7B | 112 BPM | ||
| Fouettés, Piqué Turns: Center Floor Technique | David Howard, Joe Cross | C Major | 3 | 8B | 146 BPM | ||
| 愛の夢 (Strech&Battemens1) | Miwa Hoshi | E♭ Major | 1 | 5B | 112 BPM | ||
| Reverence/Adagio: Center Floor Technique | David Howard, Joe Cross | A Major | 1 | 11B | 76 BPM | ||
| Dawn - From "Pride and Prejudice" | Dario Marianelli, Benedetta Iardella | A Minor | 1 | 8A | 91 BPM | ||
| Don Giovanni, K. 527, Act I: "Là ci darem la mano" (Battement Tendu) | Wolfgang Amadeus Mozart, Charles Mathews | C Major | 5 | 8B | 175 BPM | ||
| I Want It That Way (Rondes De Jambe) | Joey McNamara | F♯ Minor | 1 | 11A | 120 BPM | ||
| Battement Soutenu. Metre 3/4. | Vadim Proshich, MetodoVadim | A♭ Major | 1 | 4B | 104 BPM | ||
| Warm Up : Ankles and Feet - Autumn in Beijing | Nolwenn Collet | B♭ Major | 1 | 6B | 68 BPM | ||
| Plié | Ji Youn Kim | A Minor | 1 | 8A | 91 BPM | ||
| Plie 6/8 64 Counts | Marina Stolyar | F Major | 0 | 7B | 109 BPM | ||
| Delilah (Grand Battement) | Charles Mathews | G Major | 3 | 9B | 174 BPM | ||
| Pliés 1 (A Whole New World) | Ian Howells Music | D Minor | 1 | 7A | 124 BPM | ||
| Flames of Paris, Act IV: Variation For "Phillipe" (Grand Allegro) | Boris Vladimirovich Asafyev, Charles Mathews | A♭ Major | 3 | 4B | 153 BPM | ||
| Roar (Allegro 1) | Charles Mathews | F♯ Minor | 4 | 11A | 150 BPM | ||
| Battement Fondu | Charles Mathews | C Major | 1 | 8B | 125 BPM | ||
| Adagio la bayadere in C | Sissonne Music | D Major | 2 | 10B | 160 BPM | ||
| BATTEMENT TENDU ' (VINICIO COLELLA PIANIST) | Vinicio Colella | G Major | 2 | 9B | 130 BPM | ||
| Battement Tendus 1 (slow) -Ballet "The Awakening of Flora" Flora Variation (Directed by Eunseok, Shin) | R. Drigo, Ballet pianist Mia | B Major | 1 | 1B | 69 BPM |