- BPM
- 128
- Key
- D♭ Minor
- Camelot
- 12A
II. Gavotte by Herbert Howells, Matthew Schellhorn Song Details
"II. Gavotte" by Herbert Howells, Matthew Schellhorn had its release date on December 2, 2022. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Herbert Howells, Matthew Schellhorn's "Howells: Piano Music, Vol. 2" album is number 14 out of 29. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, II. Gavotte's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of II. Gavotte by Herbert Howells, Matthew Schellhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.93 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 13%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass in G Minor: Gloria in excelsis | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Daniel Brown, James Adams, Michael Bell, William Ashford, Andrew Nethsingha | C Major | 0 | 8B | 143 BPM | |
 | I Will Lift Mine Eyes | Jake Runestad, Seraphic Fire, Patrick Dupre Quigley | C Major | 2 | 8B | 72 BPM | |
 | O nata lux | Thomas Tallis, The Sixteen, Harry Christophers | B♭ Minor | 1 | 3A | 81 BPM | |
 | Laudate Nomen (Arr. E. Fellowes for choir) | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | |
 | The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 78 BPM | |
 | The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | |
 | Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 133 BPM | |
 | Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | |
 | The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | |
 | 2 Sacred Chants: No. 1, Mercy of Peace | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 80 BPM | |
 | St Anne’s Mass: IV. Agnus Dei | James MacMillan, Cappella Nova, Alan Tavener | F Major | 0 | 7B | 64 BPM | |
 | Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | |
 | Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Major | 2 | 12B | 140 BPM | |
 | Cantiones sacrae II: Miserere mei | William Byrd, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | |
 | Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | |
| Glow | Eric Whitacre, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta, Paweł Wajrak, Katarzyna Łukawska, Tomasz Sobaniec | G Major | 0 | 9B | 79 BPM | |
 | Requiem, Op. 9: VII. Lux aeterna | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | |
 | The Mass: Osanna I | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | |
 | Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | |
 | Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | |
 | Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Major | 1 | 8B | 71 BPM | |
 | Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | |
 | Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | |
 | Lux aeterna (from 'Sanctum') - Upper voices | Sarah Quartel, The Oxford Choir | E Minor | 0 | 9A | 76 BPM | |
 | Guide Me, O Thou Great Redeemer | John Hughes, Malcolm Archer, William Williams, Peter Williams, The Choir of Magdalen College, Oxford, Mark Williams | G Major | 1 | 9B | 86 BPM |
- ISRC
- HKI192201114
- Label
- L-M Records/RCA Records