Dave Porter's ' "Left Utterly Alone" was released on its scheduled release date, November 21, 2025. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Pluribus: Volume 1 (Apple Original Series Score)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Left Utterly Alone is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Left Utterly Alone by Dave Porter having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Letters | Bobby Krlic | D Major | 1 | 10B | 80 BPM | ||
| Sorry | Laura Karpman, Nora Kroll-Rosenbaum | D Minor | 4 | 7A | 86 BPM | ||
| Mitch Baby Undead | Clark | E♭ Minor | 2 | 2A | 80 BPM | ||
| Beacon Heist | Neal Acree | E Minor | 6 | 9A | 131 BPM | ||
| Motor Mayhem | Juri Seppä, Tuomas Wäinölä | A Major | 7 | 11B | 128 BPM | ||
| Silent Presence | The The | A♭ Major | 0 | 4B | 67 BPM | ||
| The Witcher Comes With Me | Joseph Trapanese, Max Davidoff-Grey | F Major | 3 | 7B | 182 BPM | ||
| The Door in the Floor | Abel Korzeniowski | G Minor | 3 | 6A | 85 BPM | ||
| The Case Of Angela Hughes | Thomas Newman | B♭ Major | 0 | 6B | 83 BPM | ||
| Left Utterly Alone | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| Intro Titles | Heiko Maile | E♭ Major | 1 | 5B | 112 BPM | ||
| Tricked You! | John Debney | F Minor | 3 | 4A | 139 BPM | ||
| Nowhere To Run And Nowhere To Hide | Steven Price | D Major | 3 | 10B | 110 BPM | ||
| Swabbing & Stacking | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| PIERRE BILLON | BRONQUIO | B Minor | 3 | 10A | 116 BPM | ||
| Scrum | Thomas Newman | D♭ Major | 1 | 3B | 162 BPM | ||
| Welcome Party | Jack Wall, Shaun Chen | C Major | 5 | 8B | 147 BPM | ||
| Barcodes | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Main Theme (from Weapons) | Ryan Holladay, Hays Holladay, Zach Cregger | D Major | 2 | 10B | 60 BPM | ||
| Of Blood and Wine | Joseph Trapanese, Max Davidoff-Grey | A Minor | 3 | 8A | 140 BPM | ||
| Mary of Shadows | Stephen James Moore, Steve Moore | E Minor | 2 | 9A | 113 BPM | ||
| Jay - Alternate | Disasterpeace | D Major | 0 | 10B | 120 BPM | ||
| Lecture | Alexandre Desplat, Eldbjørg Hemsing | D Major | 1 | 10B | 72 BPM | ||
| Hold the Bridge | Joseph Trapanese, Max Davidoff-Grey | G Major | 2 | 9B | 173 BPM | ||
| Tessa | Sarah Schachner | D Major | 2 | 10B | 119 BPM |