"Way Forward" by Thomas Hewitt Jones had its release date on July 1, 2021. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Way Forward's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Cinematic Advertising by Thomas Hewitt Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Way Forward's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Way Forward by Thomas Hewitt Jones is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto D'Amore | Cavendish Music, Thomas Hewitt Jones | F♯ Minor | 3 | 11A | 100 BPM | ||
| O Sacrum Convivium | Kim André Arnesen, Kantorei, Joel Rinsema | F Major | 1 | 7B | 130 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| Wandering | Thomas Hewitt Jones | F Major | 1 | 7B | 170 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM | ||
| Adoramus Te, Domine Deus | Margaret Rizza, Kevin Mayhew Ltd | F Major | 1 | 7B | 69 BPM | ||
| Quis est homo | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | D Major | 2 | 10B | 113 BPM | ||
| American Triptych: No. 2, The Peace of Wild Things | Jake Runestad, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 66 BPM | ||
| Gabriel's Message - Full Version | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | D Minor | 1 | 7A | 96 BPM | ||
| Everlasting Spring | Thomas Hewitt Jones | A Major | 2 | 11B | 169 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Cavendish Square | Cavendish Music, Thomas Hewitt Jones | E♭ Major | 8 | 5B | 166 BPM | ||
| Nativity Carol | John Rutter, Franck, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | D Major | 1 | 10B | 82 BPM | ||
| Meine Seele erhebt den Herrn | Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd | D Minor | 1 | 7A | 108 BPM | ||
| My Love’s an Arbutus | Mornington Singers | B♭ Major | 1 | 6B | 82 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Requiem, Op. 33b | Jón Leifs, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A♭ Major | 0 | 4B | 140 BPM | ||
| Pater Meus | UNIVERSITY OF JOHANNESBURG CHOIR | B Minor | 1 | 10A | 136 BPM | ||
| Good Morning | Cavendish Music, Thomas Hewitt Jones | A♭ Major | 5 | 4B | 100 BPM | ||
| Drama Queen March | Funny Song Studio, Sounds Reel, Thomas Hewitt Jones | B Minor | 2 | 10A | 90 BPM |