- BPM
- 54
- Key
- D♭ Minor
- Camelot
- 12A
Upon a Bank with Roses by John Ward, The Rose Consort Of Viols Song Details
"Upon a Bank with Roses" by John Ward, The Rose Consort Of Viols had its release date on January 1, 2003. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Upon a Bank with Roses's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Ward, The Rose Consort Of Viols's "J. Ward: Consort Music" album is number 1 out of 25. On top of that, Germany appears to be the country where this track was created. Upon a Bank with Roses is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Upon a Bank with Roses by John Ward, The Rose Consort Of Viols to be Lento (slowly) because the track has a tempo of 54 BPM, a half-time of 27BPM, and a double-time of 108 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.505 dB
- Acousticness
- 92%
- Danceability
- 6%
- Energy
- 6%
- Instrumentalness
- 40%
- Liveness
- 12%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | |
 | Ouverture in E Minor: III. Menuets I & II | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 179 BPM | |
 | Entrée des laquais | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | E♭ Major | 1 | 5B | 87 BPM | |
 | Inviolata, integra et casta | Josquin des Prez, Odhecaton, Paolo da Col | G Major | 2 | 9B | 69 BPM | |
 | Fürchtet euch nicht | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 99 BPM | |
 | Canzoni overo sonate concertate, Op. 12: No. 24, Ballo detto Pollicio | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | |
 | In Nomine No. 1 | John Ward, The Rose Consort Of Viols | C Major | 2 | 8B | 115 BPM | |
 | Song 13 - Arr. for Vocal Ensemble by Patrick Dunachie | Orlando Gibbons, The King's Singers | B Major | 1 | 1B | 170 BPM | |
 | Bach, JS: Mass in F Major, BWV 233: Kyrie | Johann Sebastian Bach, Chorus of Collegium Vocale, Ghent, Orchestra Of Collegium Vocale, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of Collegium Vocale Gent | F Major | 3 | 7B | 80 BPM | |
 | Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | |
 | O Jesulein, mein Jesulein: I. | Johann Hermann Schein, Lionel Meunier, Bart Jacobs, Zsuzsi Tóth, Caroline Weynants | D Minor | 0 | 7A | 94 BPM | |
 | Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | |
 | Jesu, salvator saeculi, verbum: Jesu, salvator saeculi, verbum | John Sheppard, Stile Antico | D Minor | 1 | 7A | 169 BPM | |
 | Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | |
 | Factus est repente | Gregor Aichinger, Harmonia Recorder Ensemble | C Major | 0 | 8B | 67 BPM | |
 | Veni Sancte Spiritus | Tomás Luis de Victoria, Michael Noone, Ensemble Plus Ultra | A♭ Major | 4 | 4B | 129 BPM | |
 | Salmi concertati, Op. 1: No. 18, Canzon seconda à 3 | Giovanni Rovetta, Ecco la musica | D Minor | 1 | 7A | 77 BPM | |
 | Breve è la vita nostra | Domenicho Mazzocchi, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 125 BPM | |
 | Afflicti pro peccatis nostris a 6, T. 51 (Cantiones Sacrae, 1591): I. Afflicti pro peccatis nostris | William Byrd, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 146 BPM | |
 | Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | |
 | Kabbo's Letter | Orquesta de la Academia del Gran Teatre del Liceu de Barcelona, Cece Giannotti, Alex Warner, Eva Díaz, Jean-Paul Dupeyron, Jean-Paul Wabotaï, John Ward, Antonio Da Silva Oliveira "Mü", Sam Lardner, Maria Chapman, Alex Gaspa, Gaby Katz, Joe Lewis, Freddy Wort | C Minor | 4 | 5A | 89 BPM | |
 | Fantasia No. 4 | John Ward, Julian Behr, Concerto di Viole | A♭ Minor | 0 | 1A | 128 BPM | |
 | Tribus miraculis, LV 219 | Orlande de Lassus, Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | |
| Nun hab ich überwunden | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 170 BPM | |
 | First Service: II. Nunc dimittis (2) | John Ward, York Minster Choir, John Scott Whiteley, Philip Moore | B Minor | 2 | 10A | 120 BPM |
- ISRC
- DEB199892801
- Label
- L-M Records/RCA Records