Rajesh Bisen's ' "Hanuman Chaleesa" was released on its scheduled release date, April 1, 2010. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Hanuman Chaleesa's duration is considered a little bit shorter than the average duration of a typical track. The song is number 73 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Hanuman Chaleesa is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Hanuman Chaleesa by Rajesh Bisen is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ame to Tara Nana Bal | Satish Dehra, Foram Maheta | B♭ Minor | 6 | 3A | 138 BPM | ||
| Maiya Ke Bhawano Se Sandesha Aaya Hai | Priya, Rajesh Bisen | A♭ Minor | 7 | 1A | 90 BPM | ||
| Vitthal Vitthal Vitthala Hari Om Vithala | Sanjay Suthar, Harita Shah | F Minor | 9 | 4A | 110 BPM | ||
| Shree Swami Samartha Jai Jai Swami Samartha (Male Version) (Male Version) | Shreedar Phadke | D Major | 6 | 10B | 113 BPM | ||
| Antapuri Bramha Praktale | Jitendra Abhyankar, Tejas Walhekar | E♭ Major | 6 | 5B | 160 BPM | ||
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM | ||
| Svapna Siddhi Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Yugal Sarakaar Aarti | Jagadguru Shri Kripalu Ji Maharaj | F Major | 5 | 7B | 100 BPM | ||
| May Bapa Tuzi Daya | Yuvraj Pradhan | F♯ Major | 5 | 2B | 92 BPM | ||
| Shri Mahakaleshwar Aarti Traditional | Binay Pathak, Chorus | E♭ Major | 8 | 5B | 144 BPM | ||
| Akalkoticha Swami Tu | Mahendra Warekar, Ravindra Sathe | C Major | 6 | 8B | 100 BPM | ||
| Kunj Me Bhi Radhe | Asif Jeriya, Ami Joshi | F Minor | 5 | 4A | 88 BPM | ||
| Sri Hanumanth Panchaaratna Stothram | Malola Kannan | C Major | 5 | 8B | 114 BPM | ||
| Bhajan Kar Mani Ram | Madan Gopal | B♭ Minor | 7 | 3A | 128 BPM | ||
| Kaun Uttare Paar | SRMD Bhakti | F Minor | 3 | 4A | 88 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Tu Agniru Helu Janama | Rajesh Bisen | D♭ Major | 8 | 3B | 90 BPM | ||
| Yei O Vitthale | Ravindra Sathe | A♭ Minor | 9 | 1A | 130 BPM | ||
| Mavaji Muj Par | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Vatavada Veera Ho | Hari Bharwad | E♭ Major | 5 | 5B | 83 BPM | ||
| Mahalaxmi Ashtakam | Ketan Patwardhan | D Major | 1 | 10B | 105 BPM | ||
| Navratnam | Dhanashri Deshpande | A♭ Major | 1 | 4B | 168 BPM | ||
| Jai Ganesh Deva Aarti Superfast | Manjeera Ganguly, Kuldeep Shukla | A Major | 9 | 11B | 66 BPM | ||
| Bhimrupi Maharudra Stotra | Sameer Vijaykumar | D♭ Major | 4 | 3B | 163 BPM | ||
| HARI HARI BOL | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM |