Eva Lind's 'Ragione D'Amor - "Intermezzo"' had a release date set for January 1, 2003. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wunder Gescheh'n by Eva Lind. The song's track number on the album is #17 out of 17 tracks. The popularity of Ragione D'Amor - "Intermezzo" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ragione D'Amor - "Intermezzo" by Eva Lind has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Ragione D'Amor - "Intermezzo" being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | ||
| Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | N/A | N/A | N/A | 0 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Guten Abend, Gut\' Nacht | Don Kosaken Chor | G Major | 3 | 9B | 90 BPM | ||
| Im Prater bluh'n wieder die Baume, Op. 247, RSWV 166 (Arr. E. Becht) | Robert Stolz, Eva Lind, WDR Sinfonieorchester Köln, Berlin Babelsberg Film Orchestra | F Major | 4 | 7B | 126 BPM | ||
| Ich stand in dunklen Träumen | PianoConVoce | C Major | 0 | 8B | 119 BPM | ||
| Frau Luna: Folies-Bergère-Marsch | Rundfunkorchester des Südwestfunks Kaiserslautern, Emmerich Smola | C Major | 5 | 8B | 127 BPM | ||
| Ave Maria, In F Minor, Op. 18, No. 3 | Michele Biki Panitti & Sabrina Cortese | G Major | 2 | 9B | 141 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Voici les valseurs!" | Jacques Offenbach, Anne Sofie von Otter, Ricardo Cassinelli, Georges Gautier, Francisco Araiza, Eva Lind, Samuel Ramey, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | D Major | 2 | 10B | 70 BPM | ||
| Die andere Seite der Nacht - "Peer Gynt" | Eva Lind | E Major | 3 | 12B | 144 BPM | ||
| Ragione D'Amor - "Intermezzo" | Eva Lind | F Major | 5 | 7B | 173 BPM | ||
| O Isis und Osiris (Die Zauberflöte) | Gottlob Frick, Berliner Symphoniker | F Major | 2 | 7B | 86 BPM | ||
| 5. Ouverture du Livre aux Sept Sceaux, c) Rupture du Sixieme Sceaux | Jean Françaix, Eva Lind, Christian Simonis, Göttinger Symphonie Orchester | F Major | 2 | 7B | 99 BPM | ||
| Libiamo | Kevin Pabst, Die jungen Tenöre, Eva Lind | B♭ Major | 5 | 6B | 211 BPM | ||
| Il mondo (Bonustrack Englisch, Italienisch) | Eva Lind, Tobey Wilson | D♭ Major | 6 | 3B | 83 BPM | ||
| Schifferlied: Es loscht das Meer die Sonne aus | Friedrich Silcher, Leipzig Radio Chorus, male section, Jörg-Peter Weigle | G Major | 0 | 9B | 145 BPM | ||
| Nun danket alle Gott | Jay Alexander, Czech Symphony Orchestra, Adrian Werum | A♭ Major | 3 | 4B | 173 BPM | ||
| Im weißen Rössl am Wolfgangsee | Ralph Benatzky, Rudolf Schock, Ingeborg Hallstein, Johannes Fehring | G Major | 4 | 9B | 79 BPM | ||
| Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
| Fidelio, Op. 72, Act I: Aria. O war' ich schon mit dir vereint (Marzelline) | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
| Wagner: Lohengrin, Act III: Bridal Chorus. "Treulich geführt ziehet dahin" | Richard Wagner, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 77 BPM | ||
| Triumphmarsch der Nsdap | RMK Records | F♯ Major | 4 | 2B | 129 BPM | ||
| Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" | Carl Maria von Weber, Eva Lind, Staatskapelle Dresden, Sir Colin Davis | C Major | 1 | 8B | 73 BPM |