Eva Lind's 'Ragione D'Amor - "Intermezzo"' had a release date set for January 1, 2001. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Sentimento". In this album, this song's track order is #11. The popularity of Ragione D'Amor - "Intermezzo" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ragione D'Amor - "Intermezzo" by Eva Lind having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frau Luna: Folies-Bergère-Marsch | Rundfunkorchester des Südwestfunks Kaiserslautern, Emmerich Smola | C Major | 5 | 8B | 127 BPM | ||
| Beethoven: Fidelio, Op. 72, Act 1: Quartett. "Mir ist so wunderbar" (Marzelline, Leonore, Jaquino, Rocco) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan, Helen Donath, Helga Dernesch, Horst Laubenthal, Karl Ridderbusch | G Major | 1 | 9B | 74 BPM | ||
| Alle Tage Ist Kein Sonntag | Willy Schneider | A♭ Major | 2 | 4B | 83 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Jägerchor aus der Oper " Der Freischütz " | Menskes Chöre | D Major | 3 | 10B | 109 BPM | ||
| Geh aus, mein Herz | Jay Alexander, Aurelius Sangerknaben Calw, Czech Symphony Orchestra, Adrian Werum | G Major | 2 | 9B | 170 BPM | ||
| Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 1 | 2B | 87 BPM | ||
| Trois mélodies, Op. 7: No. 1, Après un rêve | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Ein Walzertraum: Leise, ganz leise klingt's durch den Raum | Oscar Straus, Rudolf Schock, Robert Stolz | F Major | 4 | 7B | 89 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| 9. Combat du Michel et du Dragon: d) Le Millenium | Jean Françaix, Eva Lind, Christian Simonis, Göttinger Symphonie Orchester | D♭ Major | 0 | 3B | 88 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
| Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
| Als flotter Geist | Rudolf Schock | G Major | 4 | 9B | 168 BPM | ||
| Guter Mond, du gehst so stille | WDR Rundfunkorchester Köln, Gesangsquartett Four For Four | E Major | 2 | 12B | 80 BPM | ||
| Gefangenen Chor Nabucco | Angela Wiedl, R. Wiedl, G. Humphrey, M. Schmidt, B. Sauter | D♭ Major | 3 | 3B | 92 BPM | ||
| Dein ist mein ganzes Herz | Franz Lehár, Ludwig Herzer, Jonathan Antoine | G Major | 4 | 9B | 168 BPM | ||
| Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
| Bavarian Landler | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | F Major | 3 | 7B | 150 BPM | ||
| Hymne an die Nacht | Ludwig van Beethoven, Meistersinger, Die, Klaus Breuninger | E Major | 1 | 12B | 134 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 3: Huntsmen's Chorus. "Was gleicht wohl auf Erden dem Jägervergnügen?" (Chor) | Carl Maria von Weber, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | D Major | 3 | 10B | 122 BPM | ||
| The Merry Widow, Act II: Vilja-Lied | Franz Lehár, Viktor Léon, Leo Stein, Adrian Ross, Vladimir Karmirski, Melbourne Symphony Orchestra, Yvonne Kenny | G Major | 2 | 9B | 80 BPM | ||
| ローズ | Amanda McBroom, 石田組 | C Major | 1 | 8B | 149 BPM | ||
| Strauss II, J.: Rosen aus dem Süden, Op. 388 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | F Major | 2 | 7B | 68 BPM | ||
| 7. d) Les Deux Temoins | Jean Françaix, Eva Lind, Christian Simonis, Göttinger Symphonie Orchester | A Major | 2 | 11B | 99 BPM |