- BPM
- 121
- Key
- A Major
- Camelot
- 11B
Halí, Dítě by Musica Bohemica Song Details
"Halí, Dítě" by Musica Bohemica had its release date on February 10, 2012. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Ukolébavky Pro Nejmenší (Hajej, Můj Andílku)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Czechia. Based on our statistics, Halí, Dítě's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Halí, Dítě by Musica Bohemica having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -23.579 dB
- Acousticness
- 86%
- Danceability
- 36%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 23%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | |
 | Já Jsem Z Kutné Hory | Jaroslav Krcek, Musica Bohemica | F Major | 3 | 7B | 186 BPM | |
 | Oboe Concerto in E-Flat Major, Wq. 165, H. 468: I. Allegro | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | E♭ Major | 1 | 5B | 88 BPM | |
 | Concerto in F Major, S. 234: IV. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM | |
 | Sinfonia in G Major: III. Presto | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 2 | 9B | 124 BPM | |
 | Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | |
 | 8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | |
 | Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | |
 | Sonate concertate in stil moderno à 2 e 3 voci, Libro primo: Sonata seconda (Arr. Recorder & Lute) | Dario Castello, Lucie Horsch, Thomas Dunford | D♭ Minor | 1 | 12A | 67 BPM | |
 | Serse (Xerxes), HWV 40: Serse: Largo | George Frideric Handel, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F Major | 1 | 7B | 136 BPM | |
 | Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM | |
 | Ciacona in G Minor, Z. 730 | Henry Purcell, Orpheus Chamber Orchestra, Edward Brewer | G Minor | 1 | 6A | 138 BPM | |
 | Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | |
 | Concerto Grosso In C Minor, Op. 6, No. 3 : V. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | C Minor | 2 | 5A | 79 BPM | |
 | Kačena Divoká | Jaroslav Krcek, Musica Bohemica | G Major | 1 | 9B | 79 BPM | |
 | Concerto for Flute and Oboe in G Major, FWV L:G8: III. Allegro | Johann Friedrich Fasch, Gunther Holler, Helmut Hucke, Cappella Coloniensis, Hans-Martin Linde | E♭ Minor | 2 | 2A | 127 BPM | |
 | Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | |
 | Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | |
 | Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | |
 | Marches pour les trompettes H. 547 - Marches pour les trompettes I | Marc-Antoine Charpentier, Le Concert Spirituel, Hervé Niquet | C Major | 4 | 8B | 99 BPM | |
 | The Fairy Queen, Z. 629: Rondeau | Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin | A Major | 1 | 11B | 124 BPM | |
 | Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | |
 | Symphony No. 2 in D Major: II. Adagio ma non molto | William Herschel, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 126 BPM | |
 | Březen - Předjaří, Řehořovo vojsko | Musica Bohemica, Jaroslav Krcek | F Major | 1 | 7B | 120 BPM | |
 | Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM |
- ISRC
- CZA161200443
- Label
- L-M Records/RCA Records