Michael Harris's ' "Opus Conceptus" was released on its scheduled release date, January 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Orchestrate". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Opus Conceptus's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Opus Conceptus by Michael Harris having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My name ain't forgiven - human version | Camelot Ocelot, Breaking Rust | E Major | 7 | 12B | 149 BPM | ||
| I Can't Remember When | John T. Wurzer | C Major | 3 | 8B | 144 BPM | ||
| Psychotic Biorhythms | Michael Harris | G Major | 8 | 9B | 144 BPM | ||
| Breathing Suit (feat. Michael Harris) | IG88, Michael Harris | F Major | 5 | 7B | 148 BPM | ||
| Pathos | Michael Harris | F♯ Minor | 8 | 11A | 70 BPM | ||
| Lessons Learned in Moscow 17 | Rabbi Yoel Ferber | F Minor | 4 | 4A | 77 BPM | ||
| Big Stuff | Dave Dudley | A Major | 5 | 11B | 100 BPM | ||
| Opus Conceptus | Michael Harris | D Minor | 6 | 7A | 150 BPM | ||
| In the Silence | Jazzmere | E Major | 7 | 12B | 149 BPM | ||
| Hector the Collector | Shel Silverstein | B Minor | 2 | 10A | 164 BPM | ||
| Who Gonna Let Me Out | Ella Lovee | B♭ Major | 1 | 6B | 95 BPM | ||
| When I Go Downtown | Mike McCullough | F Major | 3 | 7B | 169 BPM | ||
| Mladi (Youth Suite), JW VII/10: IV. Allegro animato | Leoš Janáček, Michael Harris, Michael Thompson Wind Ensemble | B Major | 0 | 1B | 74 BPM | ||
| War Is Over | J.R. Leonard | A Major | 8 | 11B | 160 BPM | ||
| Organ Sonata No. 3 in A Minor, Op. 23: Rasch (2) | August Gottfried Ritter, Michael Harris | A Minor | 1 | 8A | 66 BPM | ||
| Lost & Lonely | Ryan Matter | F♯ Major | 2 | 2B | 110 BPM | ||
| Hairyman | David Holt | F♯ Major | 3 | 2B | 67 BPM | ||
| I Can't Leave Now ('Cause Someone Moved the Door) | George Kent | F♯ Major | 4 | 2B | 142 BPM | ||
| Stoned Little Rat | Ronnie Rogers | D Major | 3 | 10B | 129 BPM | ||
| That’s Good, That’s Bad | Archie Campbell | F♯ Major | 6 | 2B | 106 BPM | ||
| Girl Scout Cookies | Blaze Foley | D Major | 4 | 10B | 98 BPM | ||
| The Great Barnyard Disaster (feat. L. Rick Key) [Bonus Track] | The Beer Hunters, L. Rick Key | F Major | 2 | 7B | 135 BPM | ||
| Comin' Back Caroline | Ronnie Rogers | D Major | 4 | 10B | 103 BPM | ||
| Linda's Red Dress | Roy Baham | D Major | 2 | 10B | 118 BPM | ||
| Notes from the Kursk | Michael Harris | C Major | 10 | 8B | 140 BPM |