"Mes béatitudes" by Gérard Pesson, Ensemble Recherche had its release date on 2001. This song appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Pesson: Mes béatitudes". In this album, this song's track order is #1. Mes béatitudes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mes béatitudes by Gérard Pesson, Ensemble Recherche having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| St Petersburg Waltz | Meredith Monk, Ursula Oppens | F♯ Minor | 1 | 11A | 131 BPM | ||
| Ikaru | Fabio Caramuru | D Major | 1 | 10B | 75 BPM | ||
| Progess Back | Money Wheels | B♭ Major | 1 | 6B | 210 BPM | ||
| In nomine-Instrumentation colorée II (1999) for flute, oboe, clarinet, vibraphone, piano, violin, viola and Violoncello | Thomas Tallis, Gérard Pesson, Ensemble Recherche | D Minor | 0 | 7A | 91 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Fureur contre informe (Pour un tombeau d'Anatole) | Gérard Pesson, Ensemble Recherche | B♭ Minor | 0 | 3A | 83 BPM | ||
| Three Pieces in Olden Style: 1. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 96 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| 12 Nocturnes: No. 8, In Rosenblüten tanzen | Bent Sørensen, Katrine Gislinge | D♭ Minor | 0 | 12A | 80 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | D♭ Minor | 0 | 12A | 80 BPM | ||
| The time is in this very moment | Daniela Mars | D Major | 0 | 10B | 141 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| M is for Man, Music, Mozart: The Eisenstein Song | Louis Andriessen, Jurjen Hempel, Orkest De Volharding | B♭ Minor | 0 | 3A | 59 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Lachenmann: Wiegenmusik | Helmut Lachenmann, Bertrand Chamayou | D♭ Major | 0 | 3B | 72 BPM | ||
| Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Symphony for Eight | Philip Glass, Cello Octet Conjunto Ibérico, Elias Arizcuren | F Major | 2 | 7B | 122 BPM | ||
| Aurora Flame | Nuit | F♯ Minor | 8 | 11A | 129 BPM | ||
| Inner Harmony | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | D♭ Minor | 0 | 12A | 80 BPM | ||
| Cage: A Room | John Cage, Bertrand Chamayou | D Major | 0 | 10B | 71 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM |