"Three Pieces in Olden Style: 1. (Untitled)" by Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra had its release date on September 8, 2017. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Three Pieces in Olden Style: 1. (Untitled)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johannes Fritzsch, Tasmanian Symphony Orchestra, Tamara-Anna Cislowska's "Into Silence: Pärt | Vasks | Górecki | Pelēcis" album is number 7 out of 18. In terms of popularity, Three Pieces in Olden Style: 1. (Untitled) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Pieces in Olden Style: 1. (Untitled) by Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| trusion / clusion | Lukas Lauermann | D Major | 1 | 10B | 72 BPM | ||
| Haar over Hamnavoe - Bill Ryder-Jones Rework | Erland Cooper, Bill Ryder-Jones | A♭ Major | 1 | 4B | 165 BPM | ||
| September I | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
| Ave Maria, CG 89a (After Johann Sebastian Bach) | Jun Yi Ma, Tasmanian Symphony Orchestra, Andrew Greene | D♭ Major | 0 | 3B | 61 BPM | ||
| Mother's Theme | Iskra String Quartet, Iskra Strings, Paul Frith | A Minor | 0 | 8A | 66 BPM | ||
| For A Moment | Isobel Waller-Bridge, 12 Ensemble | E♭ Major | 0 | 5B | 139 BPM | ||
| Biqui | Elena Kats-Chernin, Tamara Anna Cislowska | A Major | 0 | 11B | 131 BPM | ||
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
| Canticles of the Sky: I. Sky with Four Suns | John Luther Adams, Northwestern University Cello Ensemble, Hans Jørgen Jensen | G Major | 1 | 9B | 96 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| 3 Utwory w dawnym stylu (3 Pieces in Old Style): III. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 130 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: 2. The Death of Aase | Edvard Grieg, Tasmanian Symphony Orchestra, David Stanhope | G Major | 1 | 9B | 79 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 85 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Major | 0 | 7B | 112 BPM | ||
| Things We Left Behind | Jóhann Jóhannsson | F♯ Major | 0 | 2B | 85 BPM | ||
| Rusalka, Op.114, B. 203, Act I: Song To The Moon (Arr. for Cello and Orchestra) | Antonín Dvořák, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | F Major | 0 | 7B | 109 BPM | ||
| The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
| Islandus: Raven I “The Croak” | Gabríel Ólafs, Reykjavík Orkestra, Viktor Orri Árnason | A Minor | 2 | 8A | 81 BPM | ||
| Devotions (String Quartet No 3): III. | Edmund Finnis, Solem Quartet | A Minor | 0 | 8A | 77 BPM | ||
| Aarhus / Reminiscences | Anne Müller | C Minor | 1 | 5A | 120 BPM |