"Missa pro defunctis: III. Sicut cervus" by Pierre de la Rue, New London Chamber Choir, James Wood had its release date on January 1, 1986. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Pierre De La Rue: Requiem - Josquin Desprez: Mass - Hercules dux Ferrariae - Deploration". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Missa pro defunctis: III. Sicut cervus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa pro defunctis: III. Sicut cervus by Pierre de la Rue, New London Chamber Choir, James Wood having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
| 3 Sacred Hymns: 3. Our Father | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E Minor | 1 | 9A | 68 BPM | ||
| All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 79 BPM | ||
| Requiem: Sanctus | Pierre de la Rue, Stratton Bull, Cappella Pratensis | A♭ Minor | 0 | 1A | 81 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Kanon Pokajanen: Ode I | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | D Major | 7 | 10B | 76 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Missa Quarti Toni: Agnus Dei | Vincenzo Ruffo, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 132 BPM | ||
| Fantasia chromatica | Jan Pieter Sweelinck, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 69 BPM | ||
| Palestrina: Missa Assumpta Est Maria - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | C Major | 2 | 8B | 87 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Benedictus sis tu | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | C Minor | 0 | 5A | 75 BPM | ||
| Vo iskhode israileve, Op. 19, No. 2 | Alexander Nikolsky, Chorovaya Akademia, Alexander Sedov | G Major | 1 | 9B | 130 BPM | ||
| Missa Iste confessor domini: Pleni sunt celi | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | B♭ Minor | 2 | 3A | 91 BPM | ||
| Ave Virgo Sanctissima | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | B Minor | 1 | 10A | 135 BPM | ||
| O quam suavis est, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | A♭ Major | 2 | 4B | 140 BPM | ||
| Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
| Absalom, fili mi | Pierre de la Rue, Graindelavoix | A Minor | 3 | 8A | 65 BPM | ||
| Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Requiem: III. Psalmus | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | B Major | 1 | 1B | 180 BPM | ||
| Anne Boleyn's Songbook: Tota pulchra es | Jean Mouton, Alamire, David Skinner | G Minor | 0 | 6A | 93 BPM | ||
| St Sunniva Hymn - Eterna Christi Munera | Trio Mediæval, Arve Henriksen | D Major | 0 | 10B | 142 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM |