"Missa Iste confessor domini: Pleni sunt celi" by Pierre de la Rue, Musurgia Ensemble, João Francisco Távora had its release date on January 9, 2026. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Missa Iste confessor domini: Pleni sunt celi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pierre de la Rue, João Francisco Távora, Musurgia Ensemble's "Missa Iste confessor domini" album is number 18 out of 28. On top of that, Germany appears to be the country where this track was created. Missa Iste confessor domini: Pleni sunt celi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Iste confessor domini: Pleni sunt celi by Pierre de la Rue, Musurgia Ensemble, João Francisco Távora to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa pro defunctis: I. Introit | Pierre de la Rue, New London Chamber Choir, James Wood | G Major | 6 | 9B | 89 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Finale | Tallis Chamber Choir, Edinburgh Renaissance Band, The | E Major | 2 | 12B | 77 BPM | ||
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
| Jubilate Deo | Cristobal de Morales, Stile Antico | B♭ Minor | 2 | 3A | 88 BPM | ||
| Gloria et honore | Francisco Guerrero, A5 Vocal Ensemble | F Major | 1 | 7B | 129 BPM | ||
| Lachrimæ, or Seven Teares: X. Mr. John Langton's Pavan, P. 14 | John Dowland, Jordi Savall | A Minor | 1 | 8A | 113 BPM | ||
| Nanino: Adoramus te, Christe | Giovanni Maria Nanino, Choir of King's College, Cambridge, Stephen Cleobury | B♭ Major | 1 | 6B | 74 BPM | ||
| Christ lag in Todesbanden, SSWV 22 | Samuel Scheidt, Vox Luminis, Lionel Meunier, Bart Jacobs | D Minor | 1 | 7A | 137 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
| Praeter rerum seriem: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| O Virgo splendens (canon a 3 & monodic) | Jordi Savall | A Minor | 3 | 8A | 74 BPM | ||
| Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| To Demeter | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Ave Virgo Sanctissima | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | B Minor | 1 | 10A | 135 BPM | ||
| Ouverture in E Minor: II. Air (1) | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 0 | 7A | 96 BPM | ||
| Tenebrae Responsories, Sabbato sancto: V. O vos omnes | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 134 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
| S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 1 | 8A | 133 BPM | ||
| Stella Matutina | Monks Of The Abbey Of Notre Dame, Capella Gregoriana Easo, Wonderworker, The Schola Cantorum of St. John XXIII Parish | C Major | 0 | 8B | 135 BPM | ||
| Quam pulchra es / Secunda pars: Gutur tuum à 5 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | A Minor | 1 | 8A | 79 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM |