The Young Person's Guide to the Orchestra, Op.34: Var.G: Cellos by Sir Simon Rattle, City Of Birmingham Symphony Orchestra Song Details

"The Young Person's Guide to the Orchestra, Op.34: Var.G: Cellos" by Sir Simon Rattle, City Of Birmingham Symphony Orchestra had its release date on 1996. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 25 in Britten: The Young Person's Guide to the Orchestra etc by Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Young Person's Guide to the Orchestra, Op.34: Var.G: Cellos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Young Person's Guide to the Orchestra, Op.34: Var.G: Cellos by Sir Simon Rattle, City Of Birmingham Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -35.06 dB
Acousticness: 96%
Danceability: 21%
Energy: 0%
Instrumentalness: 90%
Liveness: 9%
Loudness: 42%
Speechiness: 6%
Valence: 3%

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