Aruna Lama's ' "Phool Lai Sodhen" was released on its scheduled release date, January 12, 2008. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Phoollai Sodhen". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Norway. In terms of popularity, Phool Lai Sodhen is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Phool Lai Sodhen by Aruna Lama having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keno Tumi badle Gechho | Akhil Bandhu Ghosh | G Minor | 5 | 6A | 124 BPM | ||
| Yo Hajurko Muhar | Devika Pradhan, Shambhujeet Baskota | D♭ Major | 9 | 3B | 104 BPM | ||
| Bichhodko Pida | Dilmaya Khati, Narayan Gopal | F Major | 5 | 7B | 74 BPM | ||
| Isarale Bolaunu | Bhupinder Singh, Deepa jha | A♭ Major | 8 | 4B | 102 BPM | ||
| Ma Aankhaima | Aruna Lama | F Major | 7 | 7B | 98 BPM | ||
| Pokhiyera Ghamko | Narayan Gopal | D Major | 4 | 10B | 158 BPM | ||
| Deuralima Batas | Natikaji, Premdhoj Pradhan, Ramesh Dhital | A♭ Major | 3 | 4B | 133 BPM | ||
| Bal Garera | Swaroop Raj Acharya | D Major | 8 | 10B | 155 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Chari Udyo Badal Chhunalai | Sad Rose Band | D Major | 4 | 10B | 154 BPM | ||
| Ko Hola Mero | Asha Bhosle | A Major | 4 | 11B | 88 BPM | ||
| Eauta Tara | Natikaji | F Major | 3 | 7B | 147 BPM | ||
| Naulakhe Tara COVER | Bakemono Gurung | B Major | 0 | 1B | 75 BPM | ||
| Bansuriko Dhun | Prakash Shrestha, Sangita Pradhan | G Major | 7 | 9B | 133 BPM | ||
| Nasodha Malai | Mahesh Rai, Aruna Lama | G Minor | 4 | 6A | 167 BPM | ||
| Timilai Hasera Bida | Natikaji, Taradevi | C Major | 3 | 8B | 85 BPM | ||
| Maya Namara Mayalu | Prem Dhoj Pradhan | E Major | 3 | 12B | 92 BPM | ||
| Lali Gurans Ajambari | Shila Bahadur Moktan, Kunti Moktan | B♭ Major | 5 | 6B | 137 BPM | ||
| Bhijyo Sirani | Uday Sotang, Manila Sotang | E Major | 7 | 12B | 75 BPM | ||
| Udi Jau Bhane Ma Panchhi | Shanti Thatal, Aruna Lama | C Major | 5 | 8B | 162 BPM | ||
| Aaja Hamro Bhet Bhako | Udit Narayan, Asha Bhosle | D Major | 7 | 10B | 140 BPM | ||
| Janam Janam | Mani Kamal Chhetri, Aruna Lama | A Minor | 2 | 8A | 186 BPM | ||
| Ekai Chhin Ta Parkha | Shambhujeet Baskota, Tara Sharma | E♭ Minor | 6 | 2A | 120 BPM | ||
| Aau Aba | Suresh kumar | F Major | 3 | 7B | 70 BPM | ||
| Yati Dherai Maya | Deepak Jangam, Aruna Lama | F Minor | 4 | 4A | 103 BPM |