"String Quartet in G Major, RZ 210: III. Adagio" by Riccardo Zandonai, Orchestra da Camera di Trento had its release date on July 1, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 29 in the song's album "Riccardo Zandonai: Musica da camera e per piccola orchestra". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Italy. Based on our statistics, String Quartet in G Major, RZ 210: III. Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet in G Major, RZ 210: III. Adagio by Riccardo Zandonai, Orchestra da Camera di Trento having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Paolo, datemi pace! | Riccardo Zandonai, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM | ||
| Carmen, WD 31: La cloche a sonné | Georges Bizet, Leontyne Price, Monique Linval, Geneviève Macaux, Herbert von Karajan | A Minor | 1 | 8A | 79 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 5: Marzo è giunto, e febbraio gito se n'è col ghiado (Garsenda, Biancofiore, Adonella, Altichiara, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova | D♭ Major | 2 | 3B | 123 BPM | ||
| Bellini: I puritani: "Il rival salvar tu die" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM | ||
| Francesca da Rimini, Op. 4, Act I, Scene 11: Madonna Francesca! Su, Madonna Francesca (Biancofiore, Garsenda, Adonella, Altichiara, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Anita Bader, Tunde Franko, Jaroslava Horska, Jolana Fogasova, Elena Filipova | D Minor | 2 | 7A | 89 BPM | ||
| Bellini: I puritani: "Odi! Qual suon si dta?" (Elvira, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Francesca da Rimini, Op. 4, Act I, Scene 14: Per la terra di maggio (Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Volksoper Wien | D Major | 0 | 10B | 71 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 3: Smaragdi, non torna? (Francesca, Smaragdi) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Lorena Espina | A Major | 0 | 11B | 70 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Saint-Saëns: Samson et Dalila, Act 2: "Samson, recherchant ma présence...Amour! viens aider ma faiblesse!" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | A♭ Major | 2 | 4B | 83 BPM | ||
| Lucia di Lammermoor / Act 3: Ohimè! Sorge il tremendo fantasma | Gaetano Donizetti, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | B Major | 3 | 1B | 86 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Ah la parola che i miei occhi incontrano! | Riccardo Zandonai, Martin Mühle, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 2 | 7A | 88 BPM | ||
| Don Pasquale, Act I Terza Scena: Ah! Mi fa il destin mendico (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | E♭ Major | 3 | 5B | 65 BPM | ||
| Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
| Carmen, Act II: Suis-nous à travers la campagne | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | C Major | 5 | 8B | 118 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Ah! Ah! quanto cielo! quanto mar!" (Chorus, Butterfly, Goro) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Gregory Bonfatti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 1 | 3B | 52 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Basta, Paolo! | Riccardo Zandonai, Christina Vasileva, Martin Mühle, Alejandro Lárraga Schleske, Benedicte Tauran, Viktória Mester, Vokalensemble der Hochschule für Musik Freiburg, Levente Molnár, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Sally Wilson, Marija J | D♭ Major | 3 | 3B | 83 BPM | ||
| Mascagni: Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu) | Pietro Mascagni, Tullio Serafin, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 82 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 7, I can no more; for now it comes again (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
| Andrea Chénier: Come un bel dì di maggio | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F♯ Minor | 2 | 11A | 91 BPM |