Riccardo Zandonai, Martin Mühle, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon's 'Francesca da Rimini, Op. 4, Act III: Ah la parola che i miei occhi incontrano!' had a release date set for November 6, 2015. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini, Op. 4 by Riccardo Zandonai, Martin Mühle, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon. The song's track number on the album is #12 out of 49 tracks. Based on our data, Germany was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act III: Ah la parola che i miei occhi incontrano! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III: Ah la parola che i miei occhi incontrano! by Riccardo Zandonai, Martin Mühle, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act III: Ah la parola che i miei occhi incontrano! being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Gioconda / Act 1: O monumento! | Amilcare Ponchielli, Sherrill Milnes, National Philharmonic Orchestra, Bruno Bartoletti | C Major | 2 | 8B | 167 BPM | ||
| La traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Juan Pons, Sondra Kelly, Julien Robbins, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 92 BPM | ||
| Maria Stuarda / Act 1: "Sì, vuol di Francia il Rege" - "Ah, quando all'ara" - "In tal giorno di contento" | Gaetano Donizetti, Agnes Baltsa, Francesco Ellero D'Artegna, Simone Alaimo, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | G Major | 1 | 9B | 77 BPM | ||
| Gianni Schicchi: E non c'è nessun mezzo... | Giacomo Puccini, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Minor | 1 | 5A | 114 BPM | ||
| Verdi: La forza del destino, Act 1: "Me pellegrina ed orfana" (Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano | G Major | 1 | 9B | 78 BPM | ||
| Cavalleria rusticana: Pt. I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | ||
| Gounod: Faust, Act 2: "Allons, amis ! Point de vaines alarmes !" (Wagner, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Orchestre Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM | ||
| Francesca da Rimini, Op. 4, Act I: Viene! Viene! Madonna Francesca | Riccardo Zandonai, Kim-Lillian Strebel, Christina Vasileva, Opernchor des Theater Freiburg, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Freiburger Kammerchor, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM | ||
| L'elisir d'amore / Act 2: "La donna è un animale" | Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 78 BPM | ||
| Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM | ||
| Bellini: I puritani: "O rendetemi la speme… Qui la voce sua soave mi chiamava" (Elvira, Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova, Kammerchor Sofia | D Minor | 1 | 7A | 80 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova | D♭ Major | 0 | 3B | 76 BPM | ||
| II Barbieri Di Siviglia: : Largo Al Factotum | Orchestra Of The Romanian Opera in Bucharest and Choir, Michai Brediceanu, Nicolae Herlea | G Major | 1 | 9B | 81 BPM | ||
| Violin Concerto "Romantico": II. Adagio | Riccardo Zandonai, Stefano Zanchetta, Orchestra Haydn di Bolzano e Trento, Maurizio Dini-Ciacci | A♭ Major | 0 | 4B | 101 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
| Wagner: Lohengrin, Act 1: "Des Ritters will ich wahren" (Elsa, Chor, König Heinrich) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | B♭ Minor | 2 | 3A | 138 BPM | ||
| La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" | Giuseppe Verdi, Thomas Hampson, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | B♭ Major | 2 | 6B | 95 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 84 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Vado, corro" (Norina, Malatesta) | Gaetano Donizetti, Riccardo Muti, Leo Nucci, Mirella Freni, Philharmonia Orchestra | F Major | 3 | 7B | 141 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
| La Gioconda / Act 2: Pescator, affonda l'esca | Amilcare Ponchielli, Sherrill Milnes, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Minor | 2 | 5A | 92 BPM |