"Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova had its release date on 1994. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #1 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca) being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Pasquale, Act I Terza Scena: Ah! Mi fa il destin mendico (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | E♭ Major | 3 | 5B | 65 BPM | ||
| Un ballo in maschera / Act 3: "Eri tu che macchiavi quell'anima" | Giuseppe Verdi, Sherrill Milnes, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | ||
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
| Cavalleria Rusticano: V. Romance and Scene. Voi lo sapete, O mamma (Santuzza) - Miseri noi [Lucia · Santuzza] | Pietro Mascagni, Filippo Arlia, Berliner Symphoniker, Irina Dolzhenko, Alessandra di Giorgio | E Major | 1 | 12B | 83 BPM | ||
| L'elisir d'amore / Act I: "Tran, tran, tran, tran - In guerra ed in amor" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Leo Nucci, Metropolitan Opera Orchestra, James Levine | F Major | 3 | 7B | 131 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Così fan tutte, K. 588 / Act II: "Amico, abbiamo vinto!" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 86 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova | D♭ Major | 0 | 3B | 76 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 1: Preludio – Percorrete le spiaggie vicine (Normanno, Chorus) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Dean Power, Coro del Teatro Massimo Bellini di Catania | D Major | 2 | 10B | 141 BPM | ||
| Macbeth / Act 2: Gran Scena: "Studia il passo, o mio figlio!" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Major | 1 | 12B | 88 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
| Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Kammerchor Sofia | D♭ Major | 2 | 3B | 123 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 11: Dama, abbiatene pietà (Paolo, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt | D♭ Minor | 1 | 12A | 82 BPM | ||
| I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | ||
| Don Pasquale, Act II Quinta Scena: Riunita immantinento (Norina/Pasquale/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 135 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| Francesca da Rimini, Act I: Viene! Viene! Madonna (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | ||
| Francesca da Rimini / Act 3: Inghirlandata di violette | Riccardo Zandonai, Mario del Monaco, Lucilla Cipriano, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci | F Major | 3 | 7B | 85 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Alles bleibt still" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 77 BPM | ||
| Simon Boccanegra, Prologue: Che dicesti? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM |