"Summer Man" by David Carbonara had its release date on August 5, 2013. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Summer Man's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Carbonara's "Mad Men: On the Rocks (Music from the Television Series)" album is number 8 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Summer Man is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Summer Man by David Carbonara to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sealed Documents | Howard Shore | G Major | 1 | 9B | 108 BPM | ||
| Can I Sit Next to You | Cliff Martinez | G Minor | 1 | 6A | 81 BPM | ||
| Body Heat: Main Theme (Arr. N. Raine for orchestra) | John Barry, Martin Williams, Royal Philharmonic Orchestra, Nicholas Raine | D♭ Major | 2 | 3B | 70 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Moving Montage | David Carbonara | D Minor | 3 | 7A | 130 BPM | ||
| The New York Times | David Carbonara | G Minor | 1 | 6A | 67 BPM | ||
| The Chair | Angelo Badalamenti | G Minor | 3 | 6A | 119 BPM | ||
| Giovanni's Muse | David Carbonara | C Major | 3 | 8B | 120 BPM | ||
| Chang Vision | Cliff Martinez, Gregory Tripi | G Minor | 1 | 6A | 64 BPM | ||
| Theme from Women of the World | Jack Nitzsche | F Major | 3 | 7B | 74 BPM | ||
| Bram Stoker's Dracula: Mina / Elizabeth | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | E Minor | 0 | 9A | 145 BPM | ||
| The Deer | Jeff Russo | D Minor | 1 | 7A | 71 BPM | ||
| The Directories | Howard Shore | C Minor | 3 | 5A | 117 BPM | ||
| Mission: Rome | Daniel Pemberton | F Major | 4 | 7B | 105 BPM | ||
| Three’s A Crowd | Theodore Shapiro | D♭ Major | 8 | 3B | 128 BPM | ||
| Padraic Keeps Quiet | Carter Burwell | A♭ Major | 1 | 4B | 115 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| The Game's Afoot | Nathan Johnson | D Minor | 1 | 7A | 73 BPM | ||
| Hugo's Father | Howard Shore | A Minor | 0 | 8A | 80 BPM | ||
| Atlantis | Steven Price | A♭ Major | 1 | 4B | 107 BPM | ||
| Murder Brood, Pt. 2 | Andrew Hale, Simon Hale | D♭ Major | 3 | 3B | 56 BPM | ||
| The Cider House (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 88 BPM | ||
| Bisceglia: Concerto for Trumpet and Orchestra: in None: II. Largo con alcun animato | Michelino Bisceglia, Benny Wiame, Hungarian Studio Orchestra | G Major | 1 | 9B | 111 BPM | ||
| Dare To Dream | David Shire | G Minor | 1 | 6A | 90 BPM | ||
| Mildred Pierce Opening Titles | Carter Burwell | D Minor | 1 | 7A | 73 BPM |