"Codex" by Tim Wynn had its release date on February 5, 2016. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of XCOM 2 (Original Soundtrack from the Video Game) by Tim Wynn. The song's track number on the album is #20 out of 29 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. Based on our statistics, Codex's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Codex by Tim Wynn has a tempo of 159 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Codex being at 159 BPM, the half-time would be 80 BPM with a double-time of 318 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude To A Lost Cause - Orchestral Version | Mikael Karlsson | F Major | 3 | 7B | 88 BPM | ||
| Severance Combat | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Kane's Wrath | Mikael Sandgren | D Major | 8 | 10B | 174 BPM | ||
| Squad Loadout | Tim Wynn | G Minor | 8 | 6A | 100 BPM | ||
| Tension Underscore 2 | AfterHours Audio | A Major | 5 | 11B | 80 BPM | ||
| Intercept | Adam Schneider | G Major | 9 | 9B | 160 BPM | ||
| Warlock | Tim Wynn | D Major | 7 | 10B | 82 BPM | ||
| The Chloroplast of Cosmarium | Stuart Chatwood | D♭ Major | 8 | 3B | 140 BPM | ||
| Nomos Are Here | Dmitry V. Silantyev | A Minor | 7 | 8A | 113 BPM | ||
| The Storm - Main Theme | Mikael Karlsson | B♭ Minor | 7 | 3A | 88 BPM | ||
| Dark Mitochondria | Stuart Chatwood | F Minor | 8 | 4A | 140 BPM | ||
| We Are the Division | Ola Strandh | E Minor | 2 | 9A | 120 BPM | ||
| Darkest Hour | Jason Solowsky | D Minor | 4 | 7A | 100 BPM | ||
| He's Escaping! | James Hannigan | D♭ Major | 7 | 3B | 172 BPM | ||
| March of the Moa | Keith Power | G Major | 8 | 9B | 200 BPM | ||
| Za Rodinu! | Company of Heroes, Cris Velasco | B♭ Minor | 6 | 3A | 140 BPM | ||
| Time Machine | Tim Wynn | G Major | 2 | 9B | 117 BPM | ||
| TEC Theme | Paul Schuegraf | A♭ Major | 4 | 4B | 160 BPM | ||
| The Illuminate Cult | Wilbert Roget, II | A Major | 5 | 11B | 126 BPM | ||
| Common Enemies | Luc St-Pierre | G Major | 7 | 9B | 151 BPM | ||
| Cities of Tomorrow | Chris Tilton | A♭ Major | 3 | 4B | 120 BPM | ||
| Red Alert 3 Credits | Mikael Sandgren | D Major | 7 | 10B | 180 BPM | ||
| All Things Must Come | Stuart Chatwood | A♭ Major | 8 | 4B | 140 BPM | ||
| The Download | Tim Wynn | D Major | 5 | 10B | 100 BPM | ||
| 通常戦闘 - ヴェルムント地方 | 木村華 | B♭ Major | 5 | 6B | 120 BPM |