"We Are the Division" by Ola Strandh had its release date on March 8, 2016. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Tom Clancy's The Division (Original Game Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Canada. Based on our statistics, We Are the Division's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With We Are the Division by Ola Strandh having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| Family Reunion | Tyler Bates, John Swihart | A Minor | 2 | 8A | 80 BPM | ||
| Requiem | Neil Davidge | D♭ Major | 3 | 3B | 84 BPM | ||
| Shadow of the Colossus® | Video Games Live | E Minor | 6 | 9A | 130 BPM | ||
| Main Menu | Michael McCann | G Minor | 3 | 6A | 99 BPM | ||
| Midtown Manifest | Ola Strandh | C Major | 5 | 8B | 90 BPM | ||
| In the Line of Fire | John Devereaux | D Minor | 4 | 7A | 98 BPM | ||
| Years of Training - Part 1 - Motherland | The Flight | B Major | 6 | 1B | 186 BPM | ||
| The Ardat Yakshi | Cris Velasco, Sascha Dikiciyan | C Major | 3 | 8B | 61 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| Pathfinder | Harry Gregson-Williams | A Major | 2 | 11B | 118 BPM | ||
| Compression | Lance Hayes | E Major | 5 | 12B | 105 BPM | ||
| A Reckoning in Blood | Ilan Eshkeri | G Minor | 5 | 6A | 88 BPM | ||
| Final Conversation | Christopher Lennertz | G Minor | 2 | 6A | 73 BPM | ||
| Draconian Dream | Audiomachine | D Major | 7 | 10B | 170 BPM | ||
| Oppression | Johan Skugge, Jukka Rintamäki | A Major | 4 | 11B | 180 BPM | ||
| Battlefield 4 "Warsaw" Theme | Rami | C Major | 8 | 8B | 176 BPM | ||
| For All Mankind (Opening Cinematic) | Jon Everist, Paradox Interactive | A Minor | 2 | 8A | 110 BPM | ||
| Phoenix | Paul Haslinger | D♭ Minor | 0 | 12A | 80 BPM | ||
| Deserted Day | Pawel Blaszczak | B♭ Minor | 3 | 3A | 75 BPM | ||
| The Firehawk Rises | Finishing Move Inc. | A Major | 3 | 11B | 107 BPM | ||
| Sigmatauri (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | G Minor | 2 | 6A | 109 BPM | ||
| Baffin Bay | Paul Haslinger | F Major | 3 | 7B | 83 BPM | ||
| Drifting Away | Nathan Whitehead | D Minor | 1 | 7A | 116 BPM | ||
| The Rise of the Beast | West Dylan Thordson | D Major | 2 | 10B | 81 BPM |