Hallé, Claire Rutter's ' "Angels from the Realms of Glory" was released on its scheduled release date, September 1, 2003. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hallé, Claire Rutter, Eric Traulert's "Hallé Christmas Classics" album is number 2 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Angels from the Realms of Glory's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Angels from the Realms of Glory by Hallé, Claire Rutter to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Beethoven: Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace) [Live] | Ludwig van Beethoven, Eric Lu, Edward Gardner, Hallé | G Major | 3 | 9B | 71 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Thy judgement now is near | Sir Edward Elgar, Alice Coote, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
| Explosions Polka Op. 43 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 3 | 5B | 136 BPM | ||
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| The Kingdom, Op. 51: IIId. Pentecost "Repent and be Baptized" | Edward Elgar, Claire Rutter, Susan Bickley, John Hudson, Iain Paterson, Sir Mark Elder, Hallé | D Major | 2 | 10B | 85 BPM | ||
| Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
| Caucasian Sketches, Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | A Major | 3 | 11B | 103 BPM | ||
| Pan Voyevoda, Op. 59: III. Nocturne: Clair de lune | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 1 | 5B | 138 BPM | ||
| Louisen-Polka (Louisina Polka): Louisa's Polka [orch. I. Krejci] | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | E♭ Major | 0 | 5B | 85 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
| Preludes arranged for Orchestra, Book I L. 117: No. 10 La cathédrale engloutie (Arr. Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | B Major | 1 | 1B | 63 BPM | ||
| On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): I. Marche des contrebandiers | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Las Castañuelas | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 3 | 7B | 141 BPM | ||
| Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
| Sorochinsky Fair: Gopak | Modest Mussorgsky, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 135 BPM | ||
| By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 77 BPM | ||
| 8 Slavonic Dances, Op. 46, B.83: No. 3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
| VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM |