Manhar Udhas's ' "Gaganvasi Dhara Par" was released on its scheduled release date, May 14, 1986. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 6 in Aagman Vol-1 by Manhar Udhas. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Gaganvasi Dhara Par is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gaganvasi Dhara Par by Manhar Udhas is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nazar Lage Na Sathiyon | Kishore Kumar, Manhar Udhas, Amit Kumar, Vijay | A Major | 7 | 11B | 105 BPM | ||
| Uncha Uncha Chamunda Ma Na Dungara | Kirtidan Gadhvi, Kavita Das | A♭ Major | 8 | 4B | 150 BPM | ||
| Biji To Koi Rite | Manhar Udhas | D Minor | 5 | 7A | 146 BPM | ||
| Tamne Samye Nathi | Manhar Udhas | A♭ Minor | 5 | 1A | 119 BPM | ||
| Nirakhane Ganganamaan | Ashit Desai & Group | D♭ Major | 2 | 3B | 144 BPM | ||
| Patan Thi Patola Mongha Lavjo Chhelaji Re | Asha Bhosle | A♭ Major | 5 | 4B | 143 BPM | ||
| Arman Lai Ne | Manhar Udhas | F♯ Minor | 4 | 11A | 89 BPM | ||
| Mara Ghat Ma Birajta Shrinathji | Meena Patel | F♯ Minor | 8 | 11A | 83 BPM | ||
| Asmani Rangni Chundadi Re | Appu, Suchita Vaz, Nila | F Minor | 9 | 4A | 144 BPM | ||
| Naiya Jukavi Meto | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Chhoti Chhoti Gaiya | Hemant Chauhan | E♭ Minor | 5 | 2A | 97 BPM | ||
| Pankhioe Kalshor Karyo | Sanjay Oza | G Major | 4 | 9B | 131 BPM | ||
| Dhanya Ekadashi | Urvashi Pandya | E♭ Minor | 4 | 2A | 132 BPM | ||
| Ek Bar Shri Bhole Bhandari | Niranjan Pandya | A Minor | 9 | 8A | 97 BPM | ||
| Darshan Dejo Re Vahala Shrinathji | Nitin Devka, Nidhi Dholkiya | F♯ Major | 5 | 2B | 155 BPM | ||
| Rakh Na Ramkda Mare | Praful Dave | A♭ Major | 6 | 4B | 118 BPM | ||
| Dhhumash Chhe | Sachin Limye | F Major | 2 | 7B | 114 BPM | ||
| Chelaji Re | Atul Purohit, Himali, Smita Shah | A♭ Major | 4 | 4B | 72 BPM | ||
| Dhuni Re Dhakhavi Beli Ame Tara Naam Ni | Osman Mir | E Major | 5 | 12B | 104 BPM | ||
| Pap Taru Parkash Jadeja | Hari Bharwad | F♯ Major | 7 | 2B | 117 BPM | ||
| Krishan Bhagwan Chalyan | Lalita Ghodadra, Raghuveer Kunchala | F Major | 7 | 7B | 89 BPM | ||
| Daata Tere Kai Naam | Sadhana Sargam, Manhar Udhas | G Minor | 8 | 6A | 174 BPM | ||
| Jalkamal Chhandi (From "Narsinh Mehta Na Prabhatiya") | Karsan Sagathia, Lalita Ghodadra | F Major | 4 | 7B | 173 BPM | ||
| Mangal Murti Maruti Nandan, Jai Jai Bajrang Bali | Hari Om Sharan | D♭ Major | 8 | 3B | 96 BPM | ||
| Jay Jay Aksharpurshottam | Baps Swaminarayan Sanstha | C Major | 7 | 8B | 102 BPM |