Kishore Kumar, Manhar Udhas, Amit Kumar, Vijay's ' "Nazar Lage Na Sathiyon" was released on its scheduled release date, June 29, 1978. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 7 in Des Pardes by Rajesh Roshan, Amit Khanna. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Nazar Lage Na Sathiyon is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Nazar Lage Na Sathiyon by Kishore Kumar, Manhar Udhas, Amit Kumar, Vijay is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aur Nahin Bas Aur Nahin | Mahendra Kapoor, Laxmikant–Pyarelal | E♭ Major | 3 | 5B | 102 BPM | ||
| Kaale Kaale Baal | Shweta Shetty | G Major | 9 | 9B | 121 BPM | ||
| Jai Bolo Be-Imaan Ki | Mukesh | F♯ Minor | 8 | 11A | 97 BPM | ||
| Ram Kasam Mera Bada Naam Ho Gaya | Vinod Rathod, Laxmikant–Pyarelal | D Major | 7 | 10B | 80 BPM | ||
| Wafa Jo Na Ki | Hemlata, Kalyanji-Anandji | A Major | 6 | 11B | 83 BPM | ||
| Ek Pal Hansna Jo Chaha | Anwar | A♭ Minor | 5 | 1A | 131 BPM | ||
| Jiska Mujhe Tha Intezar - Jhankar Beats | DJ Harshit Shah, DJ MHD IND, Lata Mangeshkar, Kishore Kumar | C Major | 9 | 8B | 101 BPM | ||
| Mannu Bhai Motor Chali Pum Pum | Kishore Kumar, Asrani | C Major | 8 | 8B | 121 BPM | ||
| Ankhiyon Ke Jharokhon Se With Jhankar Beats Film - Ankhiyon Ke Jharokhon Se | Hemlata, Ravindra Jain | G Major | 7 | 9B | 80 BPM | ||
| Kya Khoob Lagti Ho | Mukesh, Kanchan, Kalyanji-Anandji | F♯ Major | 6 | 2B | 132 BPM | ||
| Pehli Pehli Baar Aisa Thanedaar Aaya | Alka Yagnik, Amit Kumar | A♭ Major | 8 | 4B | 111 BPM | ||
| Saat Saheliyan | Kishore Kumar, Anuradha Paudwal, Alka Yagnik, Sadhana Sargam, Hemlata, Kanchan, Kalyanji-Anandji | F Major | 9 | 7B | 117 BPM | ||
| Romeo Naam Mera | Vinod Rathod, Amit Kumar, Laxmikant–Pyarelal | A Major | 8 | 11B | 166 BPM | ||
| Samay Bada Balwan Hai | Nitin Mukesh, Kalyanji-Anandji | C Major | 7 | 8B | 141 BPM | ||
| Tum Dil Walon Ke Aage | Lata Mangeshkar, Kishore Kumar, R. D. Burman | B Major | 6 | 1B | 87 BPM | ||
| Dil Hi Dil Mein | Mahendra Kapoor | D Major | 4 | 10B | 102 BPM | ||
| Tujhe Pyar Karte Hain | Suman Kalyanpur, Mohammed Rafi | F Major | 5 | 7B | 100 BPM | ||
| Baam Cheek Cheek | Siddhartth Suhas, Amit Kumar, Armaan Malik, Kaustabh, Arpana | B♭ Minor | 7 | 3A | 95 BPM | ||
| Commentary Tabussum And Ho Pardesia - Mrnatwarlal | Tabassum, Kishore Kumar, Lata Mangeshkar, Rajesh Roshan | A♭ Major | 7 | 4B | 66 BPM | ||
| Thodi Thodi Piya Karo | Pankaj Udhas | B♭ Minor | 6 | 3A | 117 BPM | ||
| Aao Guru Karen Peena Shuru | Sudesh Bhosle, Hariharan | A Major | 6 | 11B | 187 BPM | ||
| Kahan Se Aaye Badra | Haimanti Sukla, K. J. Yesudas | D♭ Minor | 4 | 12A | 86 BPM | ||
| Yeh Subah Suhani Ho | K. J. Yesudas | A Major | 5 | 11B | 136 BPM | ||
| Ae Mere Zohra Jabeen | Manna Dey | F♯ Minor | 5 | 11A | 80 BPM | ||
| Mere Paas Aao Mere Dosto Dialogue | Amitabh Bachchan, Master Ravi | D Major | 3 | 10B | 77 BPM |