Wagner's ' "Teu Olhar" was released on its scheduled release date, December 1, 2017. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Teu Olhar". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Brazil. Based on our statistics, Teu Olhar's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Teu Olhar by Wagner having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rosary Sonata No. 1 in D Minor "The Annunciation" (Arr. for String Orchestra): I. Praeludium | Heinrich Ignaz Franz von Biber, Joshua Choe | D Minor | 0 | 7A | 77 BPM | ||
| Parsifal, WWV 111, Act III Suite (Ed. Abbado): Procession. Ritterzug | Richard Wagner, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Simon Halsey | F Major | 1 | 7B | 170 BPM | ||
| Macbeth, Act III: Ballet Music | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 102 BPM | ||
| Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Carlos Kleiber, Wiener Philharmoniker | F Major | 2 | 7B | 80 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| Scheherazade - Symphonic Suite Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sir Thomas Beecham, Takuo Yuasa, London Philharmonic Orchestra | G Major | 0 | 9B | 102 BPM | ||
| Feste romane (Roman Festivals): IV. La Befana | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | D Major | 6 | 10B | 104 BPM | ||
| Suite in A Major, Op. 98b, B. 190 "American": I. Andante con moto | Antonín Dvořák, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Minor | 0 | 4A | 60 BPM | ||
| Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 8 in G Minor, Op. 46, No. 8 | Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | G Major | 1 | 9B | 145 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Chicago Symphony Orchestra, Claudio Abbado | F Major | 0 | 7B | 79 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| Battle of Britain Suite: I. Spitfire Music – Battle in the Air | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 4 | 7B | 81 BPM | ||
| The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti | C Minor | 3 | 5A | 68 BPM | ||
| William Tell: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B Minor | 1 | 10A | 69 BPM | ||
| Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 1 | 6B | 128 BPM | ||
| Carmen Suite No. 2: II. Habanera (Act I) | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 127 BPM | ||
| Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": II. (b) Maestoso - Allegro | Camille Saint-Saëns, Matthias Eisenberg, Orchestre Du Capitole De Toulouse, Michel Plasson | C Major | 4 | 8B | 98 BPM | ||
| Another Time - Original Mix | Wagner | F♯ Major | 7 | 2B | 120 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
| Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
| Verdi: Messa da Requiem: XVIII. Requiem aeternam | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Fugue in G Minor, BWV 578 "The Little" - Arranged By Leopold Stokowski | Johann Sebastian Bach, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 0 | 6A | 82 BPM | ||
| Kopenhagener Eisenbahn-Dampf-Galopp | Hans Christian Lumbye, Wiener Philharmoniker, Zubin Mehta | G Major | 4 | 9B | 86 BPM | ||
| Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 94 BPM |