"False Ascendancy" by Com Truise had its release date on December 4, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Com Truise's "In Decay, Too" album is number 12 out of 14. On top of that, United States appears to be the country where this track was created. The popularity of False Ascendancy is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of False Ascendancy by Com Truise to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Asteroid 2467 - single version | Ulrich Schnauss, Jonas Munk | D Minor | 6 | 7A | 88 BPM | ||
| Stop | Com Truise | A Major | 5 | 11B | 170 BPM | ||
| Memory | Com Truise | D Major | 8 | 10B | 110 BPM | ||
| Still Phasing | De Lorra | C Major | 3 | 8B | 172 BPM | ||
| Bundeena | Totally Enormous Extinct Dinosaurs | A Major | 9 | 11B | 160 BPM | ||
| Midnight Madonna (Bonus Track) | Memorex Memories | D Major | 6 | 10B | 160 BPM | ||
| Beyond | Voyage | E♭ Minor | 2 | 2A | 78 BPM | ||
| Arterial | Lusine | B Major | 6 | 1B | 90 BPM | ||
| Crepuscule | Fred Falke | F Minor | 8 | 4A | 113 BPM | ||
| Drop Shadow | Eyeliner | D♭ Minor | 5 | 12A | 120 BPM | ||
| Inhert | Dan Terminus | D♭ Major | 8 | 3B | 102 BPM | ||
| Azur | Krosia | F♯ Minor | 9 | 11A | 104 BPM | ||
| Jewel | Moss Of Aura | G Minor | 6 | 6A | 144 BPM | ||
| TYRAEL | TOKYO ROSE | C Major | 9 | 8B | 160 BPM | ||
| Unanswered | Amtrac, The Juan Maclean | D Minor | 6 | 7A | 115 BPM | ||
| Golden Taurus | Vercetti Technicolor | C Major | 9 | 8B | 172 BPM | ||
| Audiotool Day 2016 | Xtract | G Major | 4 | 9B | 99 BPM | ||
| Disfigured | Dan Terminus | G Major | 6 | 9B | 109 BPM | ||
| Promise You'll Haunt Me | Auscultation | D Minor | 7 | 7A | 109 BPM | ||
| Let's Go Home | The Crystal Method | B Minor | 7 | 10A | 166 BPM | ||
| Never Forgotten | Xetrovoid | C Major | 4 | 8B | 180 BPM | ||
| False Ascendancy | Com Truise | F♯ Major | 7 | 2B | 172 BPM | ||
| Out of Anger and Avarice | DEADLIFE | F Minor | 9 | 4A | 128 BPM | ||
| Replica | Amtrac | G Major | 6 | 9B | 93 BPM | ||
| Rivulet | She's Not Real | D♭ Minor | 5 | 12A | 105 BPM |