Nat Adderley's 'I Should Care' had a release date set for December 1, 1955. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nat Adderley's "Introducing Nat Adderley" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, I Should Care's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I Should Care by Nat Adderley to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blues-A-Plenty | Johnny Hodges & His Orchestra | D♭ Major | 1 | 3B | 70 BPM | ||
| (It Will Have To Do) Until The Real Thing Comes Along - Remastered | Dexter Gordon | B♭ Major | 2 | 6B | 62 BPM | ||
| We'll Be Together Again | McCoy Tyner | A♭ Major | 1 | 4B | 78 BPM | ||
| Heavyweights | Sal Nistico, Nat Adderley, Barry Harris, Sam Jones, Bob Cranshaw, Sal Amico, Walter Perkins, Vinnie Ruggiero, Nat Pierce | A♭ Major | 6 | 4B | 185 BPM | ||
| A Hundred Dreams from Now | Ray Bryant | C Major | 0 | 8B | 182 BPM | ||
| Twelve-Inch | Curtis Fuller Quintet | G Minor | 2 | 6A | 151 BPM | ||
| You Go To My Head | Art Pepper | E♭ Major | 1 | 5B | 65 BPM | ||
| Augend | Ezra Barron | A♭ Major | 1 | 4B | 77 BPM | ||
| Come On Home - Rudy Van Gelder Edition / Remastered | Horace Silver Quintet | E♭ Minor | 4 | 2A | 110 BPM | ||
| Quintessence | Warne Marsh | C Minor | 2 | 5A | 77 BPM | ||
| Ruby, My Dear - Live at Bimbo's 365 Club / San Francisco, CA / 1988 | Charlie Rouse | F Minor | 2 | 4A | 108 BPM | ||
| Instigator | Jon Faddis | B♭ Minor | 4 | 3A | 121 BPM | ||
| Little Big Horn | Nat Adderley | B♭ Major | 4 | 6B | 81 BPM | ||
| Chartreuse | Kenny Drew | D Major | 1 | 10B | 130 BPM | ||
| I Thought About You (feat. Hank Mobley, Wynton Kelly, Paul Chambers & Jimmy Cobb) - Mono Version | Miles Davis, Hank Mobley, Wynton Kelly, Paul Chambers, Jimmy Cobb | F Major | 1 | 7B | 115 BPM | ||
| Sun Dance | Nat Adderley | F Major | 6 | 7B | 188 BPM | ||
| This Man's Dream | Nat Adderley | B♭ Minor | 3 | 3A | 92 BPM | ||
| Punjab - Remastered 2003 / Rudy Van Gelder Edition | Joe Henderson | D♭ Major | 5 | 3B | 80 BPM | ||
| Tipsy | Benny Bailey, Phil Woods, Julius Watkins, Tommy Flanagan, Les Spann, Buddy Catlett, Art Taylor | G Minor | 4 | 6A | 127 BPM | ||
| Thanks For The Memory | Serge Chaloff | F Major | 1 | 7B | 117 BPM | ||
| I Remember You - Alternate Take | Cannonball Adderley Quartet | F Minor | 6 | 4A | 120 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Fort Lauderdale | Nat Adderley | C Major | 5 | 8B | 99 BPM | ||
| Whisper Not | Junior Mance | C Minor | 2 | 5A | 126 BPM | ||
| The Old Country | Nat Adderley, The Big Sax Section | F Minor | 3 | 4A | 97 BPM |