- BPM
- 96
- Key
- C Minor
- Camelot
- 5A
In Nomine à 5 III by Alfonso Ferrabosco, Fretwork Song Details
Alfonso Ferrabosco, Fretwork's 'In Nomine à 5 III' had a release date set for March 1, 2011. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. In Nomine à 5 III's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fretwork's "In Nomine Sixteenth Century Music for Viols" album is number 17 out of 21. In terms of popularity, In Nomine à 5 III is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of In Nomine à 5 III by Alfonso Ferrabosco, Fretwork to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -23.668 dB
- Acousticness
- 97%
- Danceability
- 25%
- Energy
- 5%
- Instrumentalness
- 34%
- Liveness
- 20%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 28%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata Seconda detta la Desperata | Carlo Farina, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 131 BPM | |
 | Suite in G Minor: I. Allemande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | |
 | Suite in G Major: VII. Rondeau | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | |
 | Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM | |
 | Fantasias and In Nomines: Fantazia IX in 4 parts, Z. 740 | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 104 BPM | |
 | Ain't You My Child | Jonathan Woody, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | |
 | Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | |
 | Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | |
 | Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D♭ Minor | 2 | 12A | 91 BPM | |
 | Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | |
 | Spagnoletta | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch | G Minor | 1 | 6A | 76 BPM | |
 | Questi ch'indizio fan del mio tormento | Alfonso Ferrabosco, La Compagnia del Madrigale | D Major | 1 | 10B | 71 BPM | |
 | Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | |
| J’avois juré l’autre jour / Acis et Galatée, Prologue: Rigaudon / Suitte du Rigaudon / Double du Rigaudon fait par Mr Couprain | Bertrand de Bacilly, Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | |
 | Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | |
![Membra Jesu Nostri, BuxWV 75: Sonata [Ad pectus] by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot](https://i.scdn.co/image/ab67616d00001e0213366b3e28d66deb3edae1c1) | Membra Jesu Nostri, BuxWV 75: Sonata [Ad pectus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | |
| Dolce Memoria | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 86 BPM | |
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | |
 | Suite in D minor: Sarabande | Israel Golani | F♯ Minor | 1 | 11A | 115 BPM | |
 | Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | |
| Membra Jesu Nostri, BuxWV 75, Ad pectus: Concerto a 3 voci "Sicut modo geniti infantes rationabiles" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | |
 | The Lessons for Solo Lyra Viol (1609): Galliard (no.3) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | D♭ Minor | 0 | 12A | 117 BPM | |
 | Cavalli: Il Giasone: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 98 BPM | |
 | Suite in A Major: V. Sarabande | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | |
 | Terpsichore, Musarum Aoniarum: Bransle double de Poictou 1 & 2 | Pierre Francisque Caroubel, Chelys Consort of Viols, James Akers | F♯ Major | 2 | 2B | 118 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records