"Orpheus" by Synaulia had its release date on 2007. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Synaulia's "Music Of Ancient Rome Vol 2" album is number 6 out of 16. The popularity of Orpheus is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orpheus by Synaulia to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quant voi la flour boutener | Gace Brulé, Alla Francesca, Emmanuel Bonnardot, Raphaël Boulay, Pierre Hamon, Brigitte Lesne | D♭ Major | 1 | 3B | 73 BPM | ||
| La Rotta | Cantiga | B Minor | 2 | 10A | 113 BPM | ||
| I got up and left | Armen Stepanyan | B♭ Minor | 2 | 3A | 73 BPM | ||
| Danza / Wascha Mesa | Eduardo Paniagua | D Minor | 3 | 7A | 88 BPM | ||
| Anonymus Bellermanni Exercere VI | Renato Di Prinzio | C Major | 1 | 8B | 118 BPM | ||
| Gloria Aeternitatis | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Cantori Gregoriani | D♭ Major | 1 | 3B | 78 BPM | ||
| Branle de Poictou | Adrian Le Roy, Duo Gioco di Salterio | B Major | 3 | 1B | 128 BPM | ||
| Valse | Dream Street | A Major | 2 | 11B | 106 BPM | ||
| The Celt | Sue Richards, Ensemble Galilei | E Minor | 2 | 9A | 126 BPM | ||
| Priest at Uruk | Roy Markowitz | A Major | 1 | 11B | 74 BPM | ||
| Shen [Eternity] - Song | Michael Atherton | D Major | 1 | 10B | 88 BPM | ||
| Olympos’ Pentatonic - Two Studies on Ancient Greek Scales | Harry Partch, Rody van Gemert | E♭ Major | 3 | 5B | 95 BPM | ||
| The Temple of Jupiter (Original Composition for Replica Lyre in the Ancient Lydian Mode) | Michael Levy | D Major | 1 | 10B | 94 BPM | ||
| Gorani | Kitka | F♯ Major | 2 | 2B | 83 BPM | ||
| Irish Dance | Andrei Krylov | E♭ Minor | 2 | 2A | 144 BPM | ||
| Cantiga No. 10, "Rosa das rosas": Instrumental (CSM 259) | Alfonso X El Sabio, Unicorn Ensemble | F Major | 1 | 7B | 119 BPM | ||
| The Body | Alkemie | G Major | 0 | 9B | 71 BPM | ||
| Lares | Synaulia | B♭ Minor | 1 | 3A | 174 BPM | ||
| Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
| Medieval Drum Dance | Mince Pye | B Major | 6 | 1B | 138 BPM | ||
| Under der linden an der heide | Walther von der Vogelweide, Estampie | A Minor | 0 | 8A | 72 BPM | ||
| Hieronymus Bosch Butt Music | An Dro, James Spalink | E Minor | 4 | 9A | 170 BPM | ||
| The English Dancing Master, Vol. 1: Parson's farewell | John Playford, Baltimore Consort | F Major | 0 | 7B | 80 BPM | ||
| Recercada No. 1 | Diego Ortiz, Munir Beken, August Denhard | C Major | 2 | 8B | 141 BPM | ||
| Ode To Aphrodite (Original Composition For Replica Lyre in the Ancient Greek Hypodorian Mode) | Michael Levy | B Minor | 1 | 10A | 75 BPM |