Guglielmo Ebreo da Pesaro, Capilla Flamenca's 'Falla con misuras' had a release date set for April 13, 2000. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Oh Flanders Free: Music of the Flemish Renaissance". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Falla con misuras is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Falla con misuras by Guglielmo Ebreo da Pesaro, Capilla Flamenca having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Recercada primera, quarta, ottava | Diego Oritz, Margaret Little, Sylvain Bergeron | A♭ Major | 1 | 4B | 81 BPM | ||
| The English Dancing Master, Vol. 1: The English Dance Master, Pt. II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 112 BPM | ||
| Portative organ - Madrigal (Ay schonsolato ed amoroso) | Vincenzo da Rimini, David Munrow, Early Music Consort Of London | A Minor | 0 | 8A | 103 BPM | ||
| Sancta Trinitas | Antoine de Févin, Paolo Cherici | G Major | 1 | 9B | 134 BPM | ||
| Spagna Contrapunto | Francesco da Milano, Atrium Musicae de Madrid, Gregorio Paniagua | A Minor | 2 | 8A | 102 BPM | ||
| Lyra Et Cithara | Synaulia | E Minor | 1 | 9A | 177 BPM | ||
| Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
| Neuf basse dances: Basse-danse La Brosse | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
| Lamento Di Tristano - La Rotta | Unicorn Ensemble | G Major | 1 | 9B | 136 BPM | ||
| Au joly boys | Claudin de Sermisy, Into the Winds | A♭ Minor | 0 | 1A | 73 BPM | ||
| Second livre de danseries: Tourdion C’est grand plaisir | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Anthony Rooley, James Tyler | C Major | 4 | 8B | 124 BPM | ||
| Ja nus hons pris | Richard I of England, James Bowman, Early Music Consort Of London, David Munrow | D Minor | 0 | 7A | 80 BPM | ||
| Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
| J'aim sans penser | Guillaume de Machaut, Randall Cook, Emmanuel Bonardot, Dominique Vellard, Pierre Hamon, Brigitte Lesne | E♭ Minor | 3 | 2A | 147 BPM | ||
| Vespro della beata Vergine: Ricercar I a 4 | Adrian Willaert, Capilla Flamenca, Dirk Snellings | A Minor | 1 | 8A | 66 BPM | ||
| Palastinalied | Walther von der Vogelweide, Estampie, Graham Derrick | G Minor | 3 | 6A | 132 BPM | ||
| English Dance | English 13th Cent., The Dufay Collective | D Major | 1 | 10B | 185 BPM | ||
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
| Anima processional I | Hildegard von Bingen, Sequentia | C Major | 0 | 8B | 89 BPM | ||
| Plang | Béatrice de Die, Les musiciens de Provence, Maurice Guis | E Minor | 0 | 9A | 85 BPM | ||
| Suite in G Major: V. Musette de Monsieur Marais | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| J’aim sans penser laidure | Guillaume de Machaut, Marc Mauillon, Pierre Hamon, Viva Biancaluna Biffi, Angélique Mauillon, Michaël Grébil | G Major | 0 | 9B | 109 BPM | ||
| Petit vriens | Guglielmo Ebreo da Pesaro, La Morra | A Minor | 2 | 8A | 90 BPM |