On January 1, 2007, the song "The Promise" was released by Chris Murray. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Slackness". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, The Promise is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Promise by Chris Murray having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Carnival of the Animals: IV. Tortoises | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 65 BPM | ||
| The Lark Ascending | Ralph Vaughan Williams, Andrew Davis, BBC Philharmonic, BBC Symphony Orchestra, Tasmin Little | E Minor | 0 | 9A | 80 BPM | ||
| Follow that Barge | Rael Jones, Budapest Art Orchestra, Chris Cowie, Anna Wolstenholme, Camilla Pay, Nello Greco, Sara Wolstenholme, Jonathan Stone, Gary Pomeroy, Chris Murray | C Minor | 5 | 5A | 142 BPM | ||
| Doin' Time | Chris Murray | B♭ Major | 5 | 6B | 116 BPM | ||
| If You Wanna Do It | Chris Murray | A♭ Major | 6 | 4B | 93 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| The Lark in the Clear Air | Carducci String Quartet | F Major | 1 | 7B | 97 BPM | ||
| Serenade For Winds, K. 361, 3rd Movement | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 64 BPM | ||
| Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
| Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
| Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
| Unshackled | Rael Jones, Budapest Art Orchestra, Chris Cowie, Anna Wolstenholme, Camilla Pay, Nello Greco, Sara Wolstenholme, Jonathan Stone, Gary Pomeroy, Chris Murray | D Minor | 5 | 7A | 128 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | ||
| Moment | Western Standard Time Ska Orchestra, Chris Murray | F Minor | 6 | 4A | 136 BPM | ||
| Strum | Jessie Montgomery, Catalyst Quartet | A Major | 2 | 11B | 110 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 0 | 5A | 171 BPM | ||
| Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
| Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
| Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
| Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
| Pavane for Dead Princess | Maurice Ravel, David Robertson, Orchestre National De Lyon, Irina Mejoueva | G Major | 1 | 9B | 77 BPM | ||
| Tarantelle, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 141 BPM | ||
| 3 Ghost Rags: No. 1, The Graceful Ghost Rag | William Bolcom, Spencer Myer | B♭ Minor | 0 | 3A | 116 BPM |