"Pickers Leave - Instrumental" by Rachel Portman, John Lenehan, David Snell had its release date on November 10, 1999. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "The Cider House Rules (Original Score)". In this album, this song's track order is #14. Based on our statistics, Pickers Leave - Instrumental's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pickers Leave - Instrumental by Rachel Portman, John Lenehan, David Snell having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Again | Guy Farley | F Major | 1 | 7B | 146 BPM | ||
| They Go Through You | Theodore Shapiro | D♭ Major | 0 | 3B | 116 BPM | ||
| Doe Eyes (Love Theme from the Bridges of Madison County) (Reprise) - Love Theme From The Bridges Of Madison County Reprise | Lennie Niehaus, Clint Eastwood | C Major | 1 | 8B | 82 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| You Would Be My Wife | Rachel Portman | G Major | 1 | 9B | 84 BPM | ||
| Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| Paper Chase | David Snell | G Major | 5 | 9B | 173 BPM | ||
| I Won't Stop Looking Until I Find Them | Fernando Velázquez | D♭ Minor | 2 | 12A | 59 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Lobster Dinner - Instrumental | Rachel Portman, John Lenehan, David Snell | G Major | 0 | 9B | 77 BPM | ||
| Keep Your Memories | Carter Burwell | G Major | 2 | 9B | 70 BPM | ||
| Coins | Deborah Lurie | G Major | 2 | 9B | 71 BPM | ||
| Main Title | Rob Simonsen | A♭ Major | 2 | 4B | 87 BPM | ||
| Just Me and You | Ramin Djawadi | C Minor | 0 | 5A | 74 BPM | ||
| Crowds Can Be The Loneliest Of Places | Craig Armstrong | A Minor | 1 | 8A | 80 BPM | ||
| The Portrait Is Revealed | Rachel Portman | D Minor | 0 | 7A | 63 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| Bathsheba and Troy Wedding | Craig Armstrong | A Minor | 1 | 8A | 59 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| Are You Hearing This / Charlie's Sweet Inner Nature | Rolfe Kent | C Major | 0 | 8B | 79 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| The Bronze Horseman (Arr. J. Lenehan): I. Gently Flowing | Helen Habershon, Andrew Fuller, John Lenehan | C Minor | 1 | 5A | 109 BPM | ||
| The Clam Shell Challenge | Steven Price | D Major | 3 | 10B | 131 BPM | ||
| Symphonic Suite For Chorus And Orchestra - Part I - Version Two | Georges Delerue | E Minor | 3 | 9A | 56 BPM |