"Maritime Rites: Improvisation" by Alvin Curran, George Lewis had its release date on January 1, 2004. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 20 in Alvin Curran: Maritime Rites by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Maritime Rites: Improvisation is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Maritime Rites: Improvisation by Alvin Curran, George Lewis is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wave II | Elori Saxl | F Major | 4 | 7B | 170 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| The Lazy Song I | BEABEE | F♯ Minor | 0 | 11A | 55 BPM | ||
| Part 1.4 | Jóhann Jóhannsson, Guðmundur Sigurðsson, Hörður Bragason, Skúli Sverrisson, Matthías M.D. Hemstock, Caput Ensemble, Guðni Franzson | C Major | 0 | 8B | 66 BPM | ||
| Cords Of Would | Alvin Curran | A♭ Minor | 0 | 1A | 135 BPM | ||
| Piano & Violoncello 26 | Irena And Vojtech Havlovi | E♭ Major | 0 | 5B | 69 BPM | ||
| Schirley | Tomaga | D Major | 4 | 10B | 107 BPM | ||
| Blues Nile | Jon Hassell | C Major | 6 | 8B | 140 BPM | ||
| Speak Low | Ogden Nash Kurt Weill, Alvin Curran | F Major | 3 | 7B | 104 BPM | ||
| Caterpillar | Astral | G Major | 4 | 9B | 198 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | F♯ Minor | 0 | 11A | 55 BPM | ||
| BALLAS VI | Ruthlesskid | D♭ Major | 0 | 3B | 65 BPM | ||
| Early Music #27 | Paolo Bordini, Alvin Curran, Bruno Tommaso, Franco Feruglio, Andrea Centazzo | D Minor | 4 | 7A | 105 BPM | ||
| Systems / Layers | Rachel Grimes, Rachel's | B Major | 1 | 1B | 70 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| Early Music #29 | Paolo Bordini, Bruno Tommaso, Andrea Centazzo, Alvin Curran, Franco Feruglio | F Major | 3 | 7B | 74 BPM | ||
| Day Two One | F.S.Blumm, Nils Frahm | F Minor | 3 | 4A | 94 BPM | ||
| MygryZ | ZylyP | F♯ Major | 1 | 2B | 142 BPM | ||
| Maritime Rites: Program Introduction (From Center of Rainbow, Sounding) | Anonymous, Alvin Curran | C Minor | 2 | 5A | 92 BPM | ||
| Arrivederci Roma | Renato Rascel, Alvin Curran | F Major | 2 | 7B | 60 BPM | ||
| Music for 18 Musicians (modular version): Section I | Steve Reich, Ensemble Signal | D Major | 3 | 10B | 108 BPM | ||
| Teeth | Nils Frahm, Anne Müller | F Minor | 2 | 4A | 79 BPM | ||
| China Gates | John Adams, Bruce Brubaker | E♭ Minor | 1 | 2A | 153 BPM | ||
| Ostinato #3 | Ernst Reijseger | G Major | 1 | 9B | 81 BPM | ||
| Froxteya | ZylyP | A♭ Minor | 0 | 1A | 101 BPM |