"Day Two One" by F.S.Blumm, Nils Frahm had its release date on April 1, 2016. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Tag Eins Tag Zwei". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Day Two One is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Day Two One by F.S.Blumm, Nils Frahm having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sublime Frequencies of Cairo | Acid Pauli | F♯ Minor | 3 | 11A | 181 BPM | ||
| Hamnavoe | Erland Cooper | A♭ Minor | 2 | 1A | 100 BPM | ||
| Unsolved | Gaussian Curve | A Minor | 1 | 8A | 207 BPM | ||
| Improvisation_20171215 | Ryuichi Sakamoto | F Major | 0 | 7B | 81 BPM | ||
| Sleepers Beat Theme | Ben Lukas Boysen | E♭ Major | 0 | 5B | 166 BPM | ||
| Gnossienne No. 3 | Erik Satie, Kai Schumacher | A Minor | 0 | 8A | 69 BPM | ||
| Mirage | Portico Quartet | G Minor | 2 | 6A | 110 BPM | ||
| Vita | Marihiko Hara | A♭ Major | 2 | 4B | 66 BPM | ||
| White Lake | Deaf Center | B♭ Minor | 1 | 3A | 85 BPM | ||
| Licht-Teil | F.S. Blumm, Nils Frahm | D Major | 1 | 10B | 78 BPM | ||
| Blues Nile | Jon Hassell | C Major | 6 | 8B | 140 BPM | ||
| Fearer | Burnt Friedman, Jaki Liebezeit | C Minor | 3 | 5A | 137 BPM | ||
| w | Ólafur Arnalds, Nils Frahm | E Minor | 6 | 9A | 116 BPM | ||
| Flat Line/Peak Color | Bing & Ruth | D♭ Minor | 2 | 12A | 75 BPM | ||
| Love and Glory | Ólafur Arnalds, Nils Frahm | B Major | 1 | 1B | 125 BPM | ||
| Madame | amiina | G Major | 6 | 9B | 119 BPM | ||
| Esc. Meetings | Dictaphone | A Minor | 2 | 8A | 77 BPM | ||
| Such Owls As You | Brambles | A♭ Minor | 3 | 1A | 120 BPM | ||
| Back To Belgrade | Clark | C Minor | 5 | 5A | 82 BPM | ||
| Kammermusik | Bugge Wesseltoft, Henrik Schwarz | G Minor | 2 | 6A | 122 BPM | ||
| Adjust | Bendik Giske | B♭ Minor | 6 | 3A | 67 BPM | ||
| Winding and Unwinding | Ben Lukas Boysen, Sebastian Plano | C Minor | 4 | 5A | 69 BPM | ||
| Peaks | Dictaphone | D Minor | 4 | 7A | 132 BPM | ||
| Vespera | Loscil | E♭ Minor | 2 | 2A | 136 BPM | ||
| Day One One | F.S.Blumm, Nils Frahm | A♭ Minor | 1 | 1A | 106 BPM |