Rafael Krux's ' "Baroque Classical Strings from London" was released on its scheduled release date, October 7, 2024. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Baroque Classical Strings from London's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Baroque Classical Strings from London and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Baroque Classical Strings from London's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Baroque Classical Strings from London by Rafael Krux is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Virtuoso Baroque Violin Concerto, No. 1, Suite for Strings | Rafael Krux | G Minor | 6 | 6A | 150 BPM | ||
| Let Go of Fear | Howard Harper-Barnes | B♭ Minor | 3 | 3A | 120 BPM | ||
| History Stories Variation 2 | Anne Sophie Versnaeyen | C Minor | 3 | 5A | 140 BPM | ||
| Life | Luka Sulic, Czech Studio Orchestra | E Minor | 3 | 9A | 179 BPM | ||
| Glorietta | Tonci Huljic, MAKSIM, Hungarian Studio Orchestra, Krisztian Balassa | F Minor | 7 | 4A | 151 BPM | ||
| Storm By Antonio Vivaldi | Kate Tsvetaeva Pop Violin | G Major | 8 | 9B | 140 BPM | ||
| O2 | Deviations Project | D♭ Major | 8 | 3B | 94 BPM | ||
| The Maiden Cross | Nick Phoenix, Ashley Jarmack, Mia Asano | E Major | 2 | 12B | 109 BPM | ||
| Fugue of the Broken Gale | Bheto VN | D Minor | 5 | 7A | 138 BPM | ||
| Baroque Classical Strings from London | Rafael Krux | G Minor | 4 | 6A | 130 BPM | ||
| Influence | Philippe Paquet, Agnès Langlois, Benjamin Bertin, Dominique Beauséjour-Ostiguy, Jeanne Côté, Marie-Claire Vaillancourt, Vincent Delorme | D Major | 3 | 10B | 107 BPM | ||
| Adagio in D Minor | Drew Wiegman, Brynnley | G Major | 4 | 9B | 120 BPM | ||
| Prelude in E Minor, BWV 855/I (Arr. Siloti in B Minor) | Johann Sebastian Bach, Hamish Milne | B Minor | 0 | 10A | 143 BPM | ||
| Virtuoso Baroque Violin Concerto, No. 1, Finale | Rafael Krux | C Minor | 6 | 5A | 140 BPM | ||
| Uncovered | Joseph William Morgan | G Major | 6 | 9B | 170 BPM | ||
| 24.02.22 | Olexandr Ignatov | F Major | 4 | 7B | 150 BPM | ||
| Midnight Sonata | Howard Harper-Barnes | D♭ Major | 5 | 3B | 145 BPM | ||
| Flying Kite | Paolo Vivaldi | G Major | 6 | 9B | 76 BPM | ||
| Echoes of the Past | Gabriel Saban | A Minor | 9 | 8A | 105 BPM | ||
| Cinematic Violins | Rafael Krux | G Major | 1 | 9B | 130 BPM | ||
| Prelude for Strings | Rafael Krux | G Minor | 6 | 6A | 150 BPM | ||
| The 5th Season | Nono | G Major | 3 | 9B | 73 BPM | ||
| Piano Quintet No.1, 'Bloomsbury' | Avery Bright, RØRE | D Major | 2 | 10B | 101 BPM | ||
| Forzisimo | Adrián Berenguer | F Major | 4 | 7B | 154 BPM | ||
| Stolen Memories | Gabriel Saban | D♭ Major | 5 | 3B | 136 BPM |