"組曲(コレットによる) 作品161b Ⅰ.Entree et Roudeau" by D. ミヨー, 池田昭子(オーボエ), 松本健司(クラリネット), 菅原恵子(ファゴット) had its release date on April 24, 2009. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 田園のコンセール, so we believe that "組曲(コレットによる) 作品161b Ⅰ.Entree et Roudeau" is a single. 組曲(コレットによる) 作品161b Ⅰ.Entree et Roudeau is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 組曲(コレットによる) 作品161b Ⅰ.Entree et Roudeau by D. ミヨー, 池田昭子(オーボエ), 松本健司(クラリネット), 菅原恵子(ファゴット) is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| ウィーンの音楽時計 〜組曲「ハーリー・ヤーノシュ」から〜 | Kazuo Yamada, Japan Philharmonic Orchestra | G Major | 1 | 9B | 85 BPM | ||
| ス・ワンダフル | アンサンブル・ジャック・アンド・ジルズ | C Major | 3 | 8B | 135 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| Oboe Sonata in D Major, Op. 166: II. Ad libitum - Allegretto - Ad libitum | Camille Saint-Saëns, Albrecht Mayer, Karina Wisniewska | E Major | 0 | 12B | 58 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène | Jean Françaix, The Clarinotts | F Minor | 0 | 4A | 134 BPM | ||
| Void Whisper | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Concert Etude, Op. 49 | Alexander Goedicke, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | C Minor | 1 | 5A | 80 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VII. Auftritt des Cleonte | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | C Minor | 1 | 5A | 80 BPM | ||
| El dolor imaginado | Juan Pablo Fernández Ramos | C Minor | 1 | 5A | 80 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Concerto pour trombone et orchestre: III. Finale: Maestoso - Rondo | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | F♯ Major | 0 | 2B | 120 BPM | ||
| Oboe Concerto: Allegro moderato | Richard Strauss, John De Lancie, Max Wilcox | D Major | 1 | 10B | 108 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Amarilli mia bella | Robert Dowland, The Royal Wind Music, Paul Leenhouts | A♭ Minor | 0 | 1A | 66 BPM | ||
| Ave, Verum Corpus, K. 618 | Wolfgang Amadeus Mozart, Adelaide Symphony Orchestra, Alan Smith, Dawn Forster, Jennifer Newman, Ron Spigelman, Sherrilyn Handley | A Major | 0 | 11B | 137 BPM | ||
| Due Tramonti (Arr. for Euphonium & Piano by Anonymous) | Ludovico Einaudi, David Childs, Christopher Williams | F Major | 0 | 7B | 69 BPM | ||
| Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
| 組曲『ルネ王の暖炉』 Op. 205 Ⅴ. Joute sur L'Arc | D. ミヨー, トウキョウ・ウィンズ, 赤坂達三(クラリネット), 岩佐和弘(フルート), 和久井仁(オーボエ), 小川正毅(ホルン), 藤田旬(ファゴット) | G Major | 1 | 9B | 133 BPM | ||
| Sinfonia: II. Transit | Zhou Tian, J. Eric Wilson, Baylor University Wind Ensemble | G Minor | 3 | 6A | 142 BPM | ||
| Epigrammák (Epigrams): No. 1, Lento [arr. L. Lencses] | Zoltán Kodály, Lajos Lencsés, Budapest Strings | A♭ Major | 1 | 4B | 130 BPM | ||
| Flute Trio No. 1 in C Major, Hob. IV:1: II. Andante | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 131 BPM | ||
| Stück für Flötenuhr nr. 30 | The Royal Wind Music | B♭ Major | 1 | 6B | 112 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM |