Ashwini Bhide-Deshpande's 'Mara Nayanan Man' had a release date set for October 6, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Mara Nayanan Man and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Mara Nayanan Man is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mara Nayanan Man by Ashwini Bhide-Deshpande to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mangalashtaka | Shankar Mahadevan | F♯ Major | 6 | 2B | 170 BPM | ||
| Swami Samarth Song - Sadguru Natha Hath Jodito | Mandar Apte | E♭ Major | 7 | 5B | 103 BPM | ||
| Nastes Ghari Tu | Salil Kulkarni | A♭ Major | 3 | 4B | 105 BPM | ||
| Kanada Raja Pandharicha | Rahul Deshpande, Jayateerth Mevundi, Bhuvanesh Komkali | F Minor | 7 | 4A | 105 BPM | ||
| Hil Hil Pori Hila | Usha Mangeshkar, Jaywant Kulkarni | D♭ Minor | 6 | 12A | 90 BPM | ||
| Pat Rakho | Ashwini Bhide-Deshpande | E♭ Major | 5 | 5B | 138 BPM | ||
| Dol Dolatay Varyav | Shrikant Narayan, Veena Bamne | F♯ Major | 7 | 2B | 82 BPM | ||
| Ghanashyam Sundara Shridhara | Chandrashekhar Gadgil, Anupama | G Minor | 4 | 6A | 170 BPM | ||
| Mala He Dattaguru, Pt. 2 | Asha Bhosle | F Major | 4 | 7B | 126 BPM | ||
| Amrutahuni God | Manik Varma | D Minor | 4 | 7A | 134 BPM | ||
| Swar Gangechya Kathavarti | Arun Date | A♭ Major | 2 | 4B | 84 BPM | ||
| Anjanichya Soota | Mahendra Kapoor | F♯ Minor | 8 | 11A | 93 BPM | ||
| Tarana | Jitendra Abhisheki | A Major | 4 | 11B | 111 BPM | ||
| Sur Tech Chhedita | Mahendra Kapoor | B Minor | 3 | 10A | 75 BPM | ||
| Tuch Sur Thawa Majsi | Ajit Kadkade | D♭ Major | 6 | 3B | 140 BPM | ||
| Hechi Yel Deva Naka - From "Fatteshikast" | Avadhoot Gandhi | A Major | 6 | 11B | 120 BPM | ||
| Maai Bappa Vithala | Ajay Gogavale, Atul Gogavale, Nitin Ugalmugale | B Major | 6 | 1B | 150 BPM | ||
| Bagh ughaduni dar | Roop Kumar Rathod | G Minor | 9 | 6A | 170 BPM | ||
| Mauli Vitthal Mauli | Adarsh Shinde, Nilesh Katke, Shantanu Ankushrao Pole, Shree Swami Samarth Creation, Dr. Krunal Metha | A♭ Major | 7 | 4B | 130 BPM | ||
| Vida Ghya | Bharat Balvalli | E Major | 3 | 12B | 88 BPM | ||
| Dis Sarale (From "Fussclass Dabhade") | Harshavardhan Wavare, Aanandi Joshi, Amitraj, Kshitij Patwardhan | C Major | 7 | 8B | 152 BPM | ||
| Dev Devharyat Nahi | Sudhir Phadke | D Major | 5 | 10B | 103 BPM | ||
| Uth Pandharichya Raaja | Prasad Sawkar, G.D. Madgulkar | F♯ Major | 2 | 2B | 81 BPM | ||
| Anand ghana | Aanandi Joshi, Hrishikesh Ranade | A♭ Major | 8 | 4B | 150 BPM | ||
| Jethe Jato Tethe (From "Abhanga Tukaram") | Avadhoot Gandhi, Jagadguru Sant Tukaram Maharaj, Jaydeep Vaidya, Ajit Vispute | E♭ Minor | 5 | 2A | 126 BPM |