On 1985, the song "Tokyo, Oklahoma" was released by John Anderson. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Tokyo, Oklahoma's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Tokyo, Oklahoma". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Tokyo, Oklahoma's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tokyo, Oklahoma by John Anderson having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Honky Tonk Down Stairs | George Strait | G Major | 3 | 9B | 105 BPM | ||
| Honky Tonk Man | Dwight Yoakam | E Major | 8 | 12B | 144 BPM | ||
| Daddy Never Was the Cadillac Kind | Confederate Railroad | E Major | 5 | 12B | 77 BPM | ||
| Mirror Mirror | Diamond Rio | C Major | 5 | 8B | 150 BPM | ||
| Star-Studded Nights | Ed Bruce | E Major | 4 | 12B | 78 BPM | ||
| Cold Day In Hell | John Anderson | B Major | 4 | 1B | 89 BPM | ||
| You're Gonna Leave Me Again | Clint Black | C Major | 7 | 8B | 202 BPM | ||
| Simple Man | The Charlie Daniels Band | A Major | 4 | 11B | 79 BPM | ||
| Red Georgia Clay | John Anderson | A Major | 4 | 11B | 138 BPM | ||
| Midnight Wind | The Charlie Daniels Band | D Minor | 5 | 7A | 100 BPM | ||
| Take Me Down | Alabama | D♭ Major | 3 | 3B | 130 BPM | ||
| The Waltz You Saved for Me | John Anderson | F Major | 3 | 7B | 85 BPM | ||
| Too Much Fun | Daryle Singletary | G Major | 9 | 9B | 152 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| Better Safe Than Sober | The Honkytonk Wranglers | B Major | 4 | 1B | 156 BPM | ||
| Roll On (Eighteen Wheeler) | Alabama | F Major | 5 | 7B | 132 BPM | ||
| I'll Never Stop Loving You | Gary Morris | C Major | 4 | 8B | 105 BPM | ||
| Too Damned Old | Johnny Lee | A Major | 6 | 11B | 116 BPM | ||
| Prisoner Of The Highway | Ronnie Milsap | C Major | 6 | 8B | 93 BPM | ||
| Slow Burn | T.G. Sheppard | F Major | 4 | 7B | 105 BPM | ||
| Thinkin' Problem | David Ball | C Major | 6 | 8B | 110 BPM | ||
| Bubba Hyde | Diamond Rio | D Minor | 5 | 7A | 116 BPM | ||
| I Think I'll Just Stay Here And Drink | Merle Haggard | A Major | 7 | 11B | 172 BPM | ||
| C.C. Waterback | Tony Martinez, The Reeves Brothers | D Major | 5 | 10B | 125 BPM |