Arthur Sullivan, Joseph Riordan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's 'Hush'd is the bacon on the grid' had a release date set for January 1, 1993. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Hush'd is the bacon on the grid's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's "Gilbert & Sullivan: Ruddigore" album is number 15 out of 35. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Hush'd is the bacon on the grid is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hush'd is the bacon on the grid by Arthur Sullivan, Joseph Riordan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berlin: Annie Get Your Gun, Act I: My Defenses Are Down | Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Thomas Hampson | D♭ Minor | 3 | 12A | 116 BPM | ||
| Allerseelen, Op. 10, No. 8 | Richard Strauss, Barbara Bonney, Malcolm Martineau | E♭ Major | 0 | 5B | 129 BPM | ||
| For he's gone and married Yum-Yum | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 4 | 5B | 112 BPM | ||
| Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | ||
| Porgy And Bess: A Woman Is a Sometime Thing | George Gershwin, Alexander B. Smalls, John DeMain, Houston Grand Opera Orchestra, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| My Eyes Are Fully Open | The Pirates Of Penzance | A♭ Major | 5 | 4B | 117 BPM | ||
| Floyd: Susannah, Act 2: "The Trees on the Mountains Are Cold" (Susannah) | Carlisle Floyd, Kate Royal, Edward Gardner, English National Opera Orchestra | G Minor | 1 | 6A | 65 BPM | ||
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
| La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Gounod: Faust, Act 2: "O sainte médaille, qui me viens de ma sœur" (Valentin, Wagner, Siebel, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | D♭ Major | 1 | 3B | 103 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel and Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | ||
| Cannon Song | Raul Julia, David Sabin, The Threepenny Opera Ensemble (1976) | D♭ Minor | 6 | 12A | 115 BPM | ||
| Sullivan: The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko) | Arthur Sullivan, Monica Sinclair/Sir Geraint Evans/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | E♭ Major | 2 | 5B | 101 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
| Vaughan Williams: Songs of Travel: No. 9, I Have Trod the Upward and the Downward Slope (Version with Orchestra) | Ralph Vaughan Williams, Thomas Allen, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D Major | 1 | 10B | 135 BPM | ||
| Hativkah | London Festival Orchestra, The London Festival Chorus, Stanley Black | E Minor | 2 | 9A | 80 BPM | ||
| The Mikado / Act 2: 28. The criminal cried as he dropp'd him down | Arthur Sullivan, Peggy Ann Jones, John Reed, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 1 | 12B | 69 BPM | ||
| H.M.S. Pinafore, Act I: When I Was a Lad | Gilbert & Sullivan Society of Houston | B♭ Major | 4 | 6B | 109 BPM | ||
| The Pirates of Penzance: When the foeman bares his steel | Arthur Sullivan, Valerie Masterson, Jean Allister, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | C Major | 2 | 8B | 121 BPM | ||
| The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
| Hänsel und Gretel, Act I: Suse, liebe Suse (Gretel, Hänsel) | Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM |