Antonio Vivaldi, Celin Romero, Academy of St. Martin in the Fields, Iona Brown's 'Concerto for Lute, 2 Violins and Continuo in D Major, RV 93: II. Largo' had a release date set for January 1, 1985. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: Guitar Concertos by Antonio Vivaldi, Los Romeros, Academy of St. Martin in the Fields, Iona Brown. The song's track number on the album is #14 out of 15 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Concerto for Lute, 2 Violins and Continuo in D Major, RV 93: II. Largo is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Concerto for Lute, 2 Violins and Continuo in D Major, RV 93: II. Largo by Antonio Vivaldi, Celin Romero, Academy of St. Martin in the Fields, Iona Brown has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Concerto for Lute, 2 Violins and Continuo in D Major, RV 93: II. Largo being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
| 12 Concerti Grossi - Orch. Ch. Avison - Concerto No. 6 in D: 1. Largo | Domenico Scarlatti, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 78 BPM | ||
| Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM | ||
| Concerto for 2 Trumpets in C Major, RV 537: I. Allegro | Antonio Vivaldi, Michael Meeks, Crispian Steele-Perkins, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Seah Jahan | Paul Horn | D Major | 0 | 10B | 64 BPM | ||
| Passacaglia & Fugue in C Minor, BWV 582 (Arr. L. Stokowski for Orchestra): Passacaglia - | Johann Sebastian Bach, Leopold Stokowski/Symphony Orchestra, Leopold Stokowski | C Minor | 2 | 5A | 59 BPM | ||
| Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
| Le carnaval des animaux, R. 125: 13. Le Cygne (Ed. Rose) | Camille Saint-Saëns, Lynn Harrell, Bruno Canino | A Minor | 0 | 8A | 77 BPM | ||
| Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | G Minor | 2 | 6A | 63 BPM | ||
| Due tramonti | Lavinia Meijer | D Major | 0 | 10B | 106 BPM | ||
| Montero & Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Gabriela Montero | E♭ Major | 0 | 5B | 67 BPM | ||
| Concerto a 5 in B flat, Op. 7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
| Sinfonia in B minor, RV 169, "Al Santo Sepolcro": I. Adagio molto | Karoly Botvay | B Major | 0 | 1B | 177 BPM | ||
| Concerto for Violin and Strings in F minor, Op.8, No.4, R.297 "L'inverno": 2. Largo | Antonio Vivaldi, Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 75 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| I. Lent et grave | Erik Satie, Malmö Symphony Orchestra, James DePreist | A Minor | 0 | 8A | 66 BPM | ||
| Cello Concerto No. 1 in C Major, Hob. VIIb:1: 2. Adagio | Joseph Haydn, Sally Maer, William Motzing, Sinfonia Australis | F Major | 0 | 7B | 135 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Nocturne No. 5 in B-Flat Major, H. 37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
| Concerto for Lute, 2 Violins and Continuo in D Major, RV 93: II. Largo | Antonio Vivaldi, Celin Romero, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 109 BPM | ||
| Thais, Meditación | Nueva Vida | D Major | 1 | 10B | 89 BPM | ||
| Symphony No. 24 in D Major, Hob.I:24: II. Adagio | Joseph Haydn, Northern Chamber Orchestra, Nicholas Ward | G Major | 0 | 9B | 80 BPM | ||
| Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente) | Academy of St. Martin in the Fields | A Minor | 0 | 8A | 93 BPM | ||
| Tambourin | Donald Sosin, Francois-Joseph Gossec, Nora Shulman, Judy Loman | F Major | 1 | 7B | 136 BPM |