Cecil Taylor's 'You'd Be So Nice To Come Home To' had a release date set for January 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Cecil Taylor's "Jazz Advance" album is number 5 out of 7. On top of that, United States appears to be the country where this track was created. You'd Be So Nice To Come Home To is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of You'd Be So Nice To Come Home To by Cecil Taylor to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amsterdam After Dark | George Coleman, Sam Jones, Billy Higgins, Hilton Ruiz | D♭ Major | 4 | 3B | 135 BPM | ||
| Eventually | Ornette Coleman | B Major | 4 | 1B | 93 BPM | ||
| Drums Solo | Max Roach, Cecil Taylor | G Major | 5 | 9B | 105 BPM | ||
| Serenade To A Cuckoo | Roland Kirk Quartet | F Minor | 2 | 4A | 137 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM | ||
| Black Diamond | Roland Kirk Quartet | C Major | 3 | 8B | 66 BPM | ||
| Bulbs | Cecil Taylor | E♭ Minor | 5 | 2A | 140 BPM | ||
| On Green Dolphin Street | Eric Dolphy Quintet | B♭ Major | 5 | 6B | 169 BPM | ||
| Othello | Chicago Underground Trio | C Major | 1 | 8B | 138 BPM | ||
| Shazam | Archie Shepp | G Minor | 6 | 6A | 84 BPM | ||
| Dancing Flowers | Albert Ayler | E Minor | 5 | 9A | 89 BPM | ||
| Blue Monk - Live At The Five Spot / August 7, 1958 | Thelonious Monk Quartet, Johnny Griffin | C Minor | 2 | 5A | 107 BPM | ||
| Turkish Women at the Bath | Pete La Roca | C Minor | 4 | 5A | 136 BPM | ||
| The Song Is You | Jimmy Giuffre | C Major | 1 | 8B | 145 BPM | ||
| Epistrophy | Thelonious Monk Septet | A♭ Major | 3 | 4B | 86 BPM | ||
| O.P. | Cecil Taylor | F Major | 3 | 7B | 130 BPM | ||
| Coming On The Hudson - Live At The Five Spot / August 7, 1958 | Thelonious Monk Quartet, Johnny Griffin | C Minor | 3 | 5A | 142 BPM | ||
| The Creole Love Call | Rahsaan Roland Kirk | F Major | 3 | 7B | 115 BPM | ||
| Oceanus | Ralph Towner, Jan Garbarek, Eberhard Weber, Jon Christensen | B Major | 4 | 1B | 154 BPM | ||
| Brainville | Sun Ra | G Minor | 5 | 6A | 98 BPM | ||
| Hippy - Remastered | Horace Silver | C Major | 5 | 8B | 116 BPM | ||
| Once In A While | Roland Kirk Quartet | E♭ Major | 2 | 5B | 80 BPM | ||
| Bekei | Dewey Redman, Elvin Jones, Cecil Taylor | A♭ Major | 5 | 4B | 97 BPM | ||
| As We Used To Sing | Sonny Sharrock | A♭ Major | 6 | 4B | 122 BPM | ||
| Love For Sale | Cecil Taylor | A♭ Major | 4 | 4B | 102 BPM |