- BPM
- 105
- Key
- C Minor
- Camelot
- 5A
Stan and Mabel: 2. Not A Happy Story - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey Song Details
"Stan and Mabel: 2. Not A Happy Story - Music-only version" by Adelaide Symphony Orchestra, Benjamin Northey had its release date on February 16, 2018. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #23. In terms of popularity, Stan and Mabel: 2. Not A Happy Story - Music-only version is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Stan and Mabel: 2. Not A Happy Story - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.904 dB
- Acousticness
- 97%
- Danceability
- 16%
- Energy
- 5%
- Instrumentalness
- 88%
- Liveness
- 17%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le tombeau de Couperin, M. 68: 3. Menuet | Maurice Ravel, Adelaide Symphony Orchestra, David Stanhope | G Major | 1 | 9B | 77 BPM | |
 | Sympnony No.9 in E minor, Op.95 'From the New World': Largo | Antonín Dvořák, Prague Symphony Orchestra;Libor Pesek | D♭ Major | 0 | 3B | 131 BPM | |
 | Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | |
 | Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | |
 | The Lochnagar Suite: III. Dance of the Eagle | Nigel Hess, Central Band Of The Royal Air Force | G Major | 4 | 9B | 129 BPM | |
 | Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | |
 | The Big Parade: 12. The Rookies | Adelaide Symphony Orchestra, Timothy Sexton | C Major | 3 | 8B | 117 BPM | |
 | Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | |
 | Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | |
 | The Carnival of the Animals: 12. Fossils | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | |
 | Serenade in A Minor: IV. Romance - Andantino - Appassionato | Ralph Vaughan Williams, Royal Scottish National Orchestra, Martin Yates | F Major | 1 | 7B | 82 BPM | |
| Canon and Gigue in D Major, P. 37: 1. Canon | Johann Pachelbel, Adelaide Symphony Orchestra, David Stanhope | D Major | 2 | 10B | 100 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4d, Pas de trois. Moderato | Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra | B Major | 3 | 1B | 132 BPM | |
 | So Many Paths - Live In Australia, 1979 | Little River Band, Adelaide Symphony Orchestra | A Major | 5 | 11B | 132 BPM | |
 | Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | |
 | Widor : Toccata in F major | Charles-Marie Widor, Kalevi Kiviniemi | F Major | 3 | 7B | 62 BPM | |
 | Il carnevale di Venezia, Op. 78 | Giulio Briccialdi, James Galway, National Philharmonic Orchestra, Charles Gerhardt | C Major | 1 | 8B | 87 BPM | |
| Building the Barn (From "Witness") | Maurice Jarre, Adelaide Symphony Orchestra, David Stanhope | G Major | 1 | 9B | 77 BPM | |
 | Battle of Britain Suite: II. March Introduction - March and Siegfried Music | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 65 BPM | |
 | Concerto for Harp and Orchestra, Op. 74: 1. Allegro moderato | Reinhold Glière, Alice Giles, Adelaide Symphony Orchestra, David Porcelijn | B♭ Minor | 2 | 3A | 165 BPM | |
 | Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | |
 | Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | |
 | Spiegel im Spiegel | Arvo Pärt, Sally Maer, Sally Whitwell | F Major | 0 | 7B | 82 BPM | |
 | What It Means to Be Alone – Catherine - Live with the ASO | Josh Pyke, Adelaide Symphony Orchestra | C Major | 3 | 8B | 73 BPM | |
 | Valse triste, Op. 44 No. 1 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records