Selections From Friday Afternoons, Op.7 - Begone, Dull Care! by Benjamin Britten, Toronto Children's Chorus Song Details

Benjamin Britten, Toronto Children's Chorus's ' "Selections From Friday Afternoons, Op.7 - Begone, Dull Care!" was released on its scheduled release date, 1991. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Benjamin Britten, Toronto Children's Chorus's "Mostly Britten" album is number 1 out of 37. On top of that, Canada appears to be the country where this track was created. Selections From Friday Afternoons, Op.7 - Begone, Dull Care! is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Selections From Friday Afternoons, Op.7 - Begone, Dull Care! by Benjamin Britten, Toronto Children's Chorus to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.89 dB
Acousticness: 99%
Danceability: 45%
Energy: 12%
Instrumentalness: 73%
Liveness: 19%
Loudness: 60%
Speechiness: 5%
Valence: 44%

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Suite No. 1, "Orientale": I. Okenstamning: Adagio	Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi	B Minor	1	10A	61 BPM