Munna Saini, Bhawna Bharti, Parvati Rajput's ' "Man Murakh Manas Tan Pa Ke" was released on its scheduled release date, March 1, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Tamura Chetavani Kaya Bhajan". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Man Murakh Manas Tan Pa Ke is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Man Murakh Manas Tan Pa Ke by Munna Saini, Bhawna Bharti, Parvati Rajput having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mhe To Lulta Lulta Aaungi | Gopal Bajaj | B♭ Major | 9 | 6B | 81 BPM | ||
| Bolo Om Namah Shivay | Narendra Chanchal | F Major | 6 | 7B | 106 BPM | ||
| Aa Laut Ke Aaja Hanuman | Sanjo Baghel | A♭ Major | 8 | 4B | 106 BPM | ||
| Ye Chamak Ye Damak 2.0 | Sudhir Vyas | D Major | 7 | 10B | 100 BPM | ||
| Man Murakh Manas Tan Pa Ke | Munna Saini, Bhawna Bharti, Parvati Rajput | A♭ Major | 9 | 4B | 114 BPM | ||
| Janam Laye Raghurayi Awadh Mai | Munna Saini, Parvati Rajput | A♭ Major | 7 | 4B | 106 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Guru Ghasi Baba - Panthi Geet | Anit Sahu, Kiran Sahu | F♯ Major | 8 | 2B | 153 BPM | ||
| Kakhet Zoli Hatat Chimta Aadesh Bolale | Sandeep Nighut | A Minor | 9 | 8A | 174 BPM | ||
| Dukalan Parnasi Dayialan Sroope | Bhai Jaspreet Singh Ji | F♯ Major | 6 | 2B | 71 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Rig Big Jyoti | Dukalu Yadav | G Major | 9 | 9B | 95 BPM | ||
| Radhe Mi Gokulcha Ganshyam | Anjanabai Jagtap | E♭ Major | 7 | 5B | 99 BPM | ||
| Bolo Ram Nam Sukhdayi | Munna Saini, Parvati Rajput | A♭ Major | 7 | 4B | 101 BPM | ||
| dukhiyaari ubi khet me | Beejal Khan | F♯ Major | 7 | 2B | 97 BPM | ||
| Poota Mata Ki Aasees | Bhai Harbans Singh (Jagadhriwale) | A Minor | 6 | 8A | 143 BPM | ||
| Duniya Mai Aaye To Kam Karlo Nam Karlo | Munna Saini, Parvati Rajput | A♭ Major | 7 | 4B | 113 BPM | ||
| Raat Shyam Sapne Mein Aaye | Sanjo Baghel | D Minor | 8 | 7A | 90 BPM | ||
| Moriyo | Sugna Devi | F Minor | 9 | 4A | 120 BPM | ||
| Takdir Mujhe Le Chal Mahakal Ki Basti Mein | Shahnaaz Akhtar | C Major | 8 | 8B | 120 BPM | ||
| Ganga Tera Paani | Lakhbir Singh Lakkha | E♭ Major | 5 | 5B | 99 BPM | ||
| Ujjain Ke Raja Kabhi Kirpa Najariya - Hindi | Kishan Bhagat | D Major | 8 | 10B | 102 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Hum Haeen Piya Ji Ke Patar Tiriywa - From "Patna Se Pakistan" | Kalpana Patowary, Dinesh Lal Yadav | G Minor | 9 | 6A | 102 BPM |